Charles Dickens

The hour was come, when Saint Antoine was to execute his horrible idea of hoisting up men for lamps to show what he could be and do. Saint Antoine's blood was up, and the blood of tyranny and domination by the iron hand was down--down on the steps of the Hotel de Ville where the governor's body lay--down on the sole of the shoe of Madame Defarge where she had trodden on the body to steady it for mutilation. "Lower the lamp yonder!" cried Saint Antoine, after glaring round for a new means of death; "here is one of his soldiers to be left on guard!" The swinging sentinel was posted, and the sea rushed on.

The sea of black and threatening waters, and of destructive upheaving of wave against wave, whose depths were yet unfathomed and whose forces were yet unknown. The remorseless sea of turbulently swaying shapes, voices of vengeance, and faces hardened in the furnaces of suffering until the touch of pity could make no mark on them.

But, in the ocean of faces where every fierce and furious expression was in vivid life, there were two groups of faces--each seven in number --so fixedly contrasting with the rest, that never did sea roll which bore more memorable wrecks with it. Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come, and those who rejoiced around them were lost spirits. Other seven faces there were, carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the Last Day. Impassive faces, yet with a suspended--not an abolished--expression on them; faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes, and bear witness with the bloodless lips, "THOU DIDST IT!"

Seven prisoners released, seven gory heads on pikes, the keys of the accursed fortress of the eight strong towers, some discovered letters and other memorials of prisoners of old time, long dead of broken hearts,--such, and such--like, the loudly echoing footsteps of Saint Antoine escort through the Paris streets in mid-July, one thousand seven hundred and eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay, and keep these feet far out of her life! For, they are headlong, mad, and dangerous; and in the years so long after the breaking of the cask at Defarge's wine-shop door, they are not easily purified when once stained red.

XXII

The Sea Still Rises

Haggard Saint Antoine had had only one exultant week, in which to soften his modicum of hard and bitter bread to such extent as he could, with the relish of fraternal embraces and congratulations, when Madame Defarge sat at her counter, as usual, presiding over the customers. Madame Defarge wore no rose in her head, for the great brotherhood of Spies had become, even in one short week, extremely chary of trusting themselves to the saint's mercies. The lamps across his streets had a portentously elastic swing with them.

Madame Defarge, with her arms folded, sat in the morning light and heat, contemplating the wine-shop and the street. In both, there were several knots of loungers, squalid and miserable, but now with a manifest sense of power enthroned on their distress. The raggedest nightcap, awry on the wretchedest head, had this crooked significance in it: "I know how hard it has grown for me, the wearer of this, to support life in myself; but do you know how easy it has grown for me, the wearer of this, to destroy life in you?" Every lean bare arm, that had been without work before, had this work always ready for it now, that it could strike. The fingers of the knitting women were vicious, with the experience that they could tear. There was a change in the appearance of Saint Antoine; the image had been hammering into this for hundreds of years, and the last finishing blows had told mightily on the expression.

Madame Defarge sat observing it, with such suppressed approval as was to be desired in the leader of the Saint Antoine women.