Charles Dickens

They advanced, retreated, struck at one another's hands, clutched at one another's heads, spun round alone, caught one another and spun round in pairs, until many of them dropped. While those were down, the rest linked hand in hand, and all spun round together: then the ring broke, and in separate rings of two and four they turned and turned until they all stopped at once, began again, struck, clutched, and tore, and then reversed the spin, and all spun round another way. Suddenly they stopped again, paused, struck out the time afresh, formed into lines the width of the public way, and, with their heads low down and their hands high up, swooped screaming off. No fight could have been half so terrible as this dance. It was so emphatically a fallen sport--a something, once innocent, delivered over to all devilry--a healthy pastime changed into a means of angering the blood, bewildering the senses, and steeling the heart. Such grace as was visible in it, made it the uglier, showing how warped and perverted all things good by nature were become. The maidenly bosom bared to this, the pretty almost-child's head thus distracted, the delicate foot mincing in this slough of blood and dirt, were types of the disjointed time.

This was the Carmagnole. As it passed, leaving Lucie frightened and bewildered in the doorway of the wood-sawyer's house, the feathery snow fell as quietly and lay as white and soft, as if it had never been.

"O my father!" for he stood before her when she lifted up the eyes she had momentarily darkened with her hand; "such a cruel, bad sight."

"I know, my dear, I know. I have seen it many times. Don't be frightened! Not one of them would harm you."

"I am not frightened for myself, my father. But when I think of my husband, and the mercies of these people--"

"We will set him above their mercies very soon. I left him climbing to the window, and I came to tell you. There is no one here to see. You may kiss your hand towards that highest shelving roof."

"I do so, father, and I send him my Soul with it!"

"You cannot see him, my poor dear?"

"No, father," said Lucie, yearning and weeping as she kissed her hand, "no."

A footstep in the snow. Madame Defarge. "I salute you, citizeness," from the Doctor. "I salute you, citizen." This in passing. Nothing more. Madame Defarge gone, like a shadow over the white road.

"Give me your arm, my love. Pass from here with an air of cheerfulness and courage, for his sake. That was well done;" they had left the spot; "it shall not be in vain. Charles is summoned for to-morrow."

"For to-morrow!"

"There is no time to lose. I am well prepared, but there are precautions to be taken, that could not be taken until he was actually summoned before the Tribunal. He has not received the notice yet, but I know that he will presently be summoned for to-morrow, and removed to the Conciergerie; I have timely information. You are not afraid?"

She could scarcely answer, "I trust in you."

"Do so, implicitly. Your suspense is nearly ended, my darling; he shall be restored to you within a few hours; I have encompassed him with every protection. I must see Lorry."

He stopped. There was a heavy lumbering of wheels within hearing. They both knew too well what it meant. One. Two. Three. Three tumbrils faring away with their dread loads over the hushing snow.

"I must see Lorry," the Doctor repeated, turning her another way.

The staunch old gentleman was still in his trust; had never left it. He and his books were in frequent requisition as to property confiscated and made national. What he could save for the owners, he saved. No better man living to hold fast by what Tellson's had in keeping, and to hold his peace.

A murky red and yellow sky, and a rising mist from the Seine, denoted the approach of darkness. It was almost dark when they arrived at the Bank. The stately residence of Monseigneur was altogether blighted and deserted. Above a heap of dust and ashes in the court, ran the letters: National Property.