Charles Dickens

Sometimes we pass a field where the strong bristling stalks of Indian corn look like a crop of walking-sticks, and sometimes an enclosure where the green wheat is springing up among a labyrinth of stumps; the primitive worm-fence is universal, and an ugly thing it is; but the farms are neatly kept, and, save for these differences, one might be travelling just now in Kent.

We often stop to water at a roadside inn, which is always dull and silent. The coachman dismounts and fills his bucket, and holds it to the horses' heads. There is scarcely ever any one to help him; there are seldom any loungers standing round; and never any stable- company with jokes to crack. Sometimes, when we have changed our team, there is a difficulty in starting again, arising out of the prevalent mode of breaking a young horse: which is to catch him, harness him against his will, and put him in a stage-coach without further notice: but we get on somehow or other, after a great many kicks and a violent struggle; and jog on as before again.

Occasionally, when we stop to change, some two or three half- drunken loafers will come loitering out with their hands in their pockets, or will be seen kicking their heels in rocking-chairs, or lounging on the window-sill, or sitting on a rail within the colonnade: they have not often anything to say though, either to us or to each other, but sit there idly staring at the coach and horses. The landlord of the inn is usually among them, and seems, of all the party, to be the least connected with the business of the house. Indeed he is with reference to the tavern, what the driver is in relation to the coach and passengers: whatever happens in his sphere of action, he is quite indifferent, and perfectly easy in his mind.

The frequent change of coachmen works no change or variety in the coachman's character. He is always dirty, sullen, and taciturn. If he be capable of smartness of any kind, moral or physical, he has a faculty of concealing it which is truly marvellous. He never speaks to you as you sit beside him on the box, and if you speak to him, he answers (if at all) in monosyllables. He points out nothing on the road, and seldom looks at anything: being, to all appearance, thoroughly weary of it and of existence generally. As to doing the honours of his coach, his business, as I have said, is with the horses. The coach follows because it is attached to them and goes on wheels: not because you are in it. Sometimes, towards the end of a long stage, he suddenly breaks out into a discordant fragment of an election song, but his face never sings along with him: it is only his voice, and not often that.

He always chews and always spits, and never encumbers himself with a pocket-handkerchief. The consequences to the box passenger, especially when the wind blows towards him, are not agreeable.

Whenever the coach stops, and you can hear the voices of the inside passengers; or whenever any bystander addresses them, or any one among them; or they address each other; you will hear one phrase repeated over and over and over again to the most extraordinary extent. It is an ordinary and unpromising phrase enough, being neither more nor less than 'Yes, sir;' but it is adapted to every variety of circumstance, and fills up every pause in the conversation. Thus:-

The time is one o'clock at noon. The scene, a place where we are to stay and dine, on this journey. The coach drives up to the door of an inn. The day is warm, and there are several idlers lingering about the tavern, and waiting for the public dinner. Among them, is a stout gentleman in a brown hat, swinging himself to and fro in a rocking-chair on the pavement.

As the coach stops, a gentleman in a straw hat looks out of the window:

STRAW HAT. (To the stout gentleman in the rocking-chair.) I reckon that's Judge Jefferson, an't it?

BROWN HAT. (Still swinging; speaking very slowly; and without any emotion whatever.) Yes, sir.

STRAW HAT. Warm weather, Judge.