Charles Dickens

In the course of a few miles, however, I discovered that it had a glazed cap at one end and a pair of muddy shoes at the other and further observation demonstrated it to be a small boy in a snuff-coloured coat, with his arms quite pinioned to his sides, by deep forcing into his pockets. He was, I presume, a relative or friend of the coachman's, as he lay a-top of the luggage with his face towards the rain; and except when a change of position brought his shoes in contact with my hat, he appeared to be asleep. At last, on some occasion of our stopping, this thing slowly upreared itself to the height of three feet six, and fixing its eyes on me, observed in piping accents, with a complaisant yawn, half quenched in an obliging air of friendly patronage, 'Well now, stranger, I guess you find this a'most like an English arternoon, hey?'

The scenery, which had been tame enough at first, was, for the last ten or twelve miles, beautiful. Our road wound through the pleasant valley of the Susquehanna; the river, dotted with innumerable green islands, lay upon our right; and on the left, a steep ascent, craggy with broken rock, and dark with pine trees. The mist, wreathing itself into a hundred fantastic shapes, moved solemnly upon the water; and the gloom of evening gave to all an air of mystery and silence which greatly enhanced its natural interest.

We crossed this river by a wooden bridge, roofed and covered in on all sides, and nearly a mile in length. It was profoundly dark; perplexed, with great beams, crossing and recrossing it at every possible angle; and through the broad chinks and crevices in the floor, the rapid river gleamed, far down below, like a legion of eyes. We had no lamps; and as the horses stumbled and floundered through this place, towards the distant speck of dying light, it seemed interminable. I really could not at first persuade myself as we rumbled heavily on, filling the bridge with hollow noises, and I held down my head to save it from the rafters above, but that I was in a painful dream; for I have often dreamed of toiling through such places, and as often argued, even at the time, 'this cannot be reality.'

At length, however, we emerged upon the streets of Harrisburg, whose feeble lights, reflected dismally from the wet ground, did not shine out upon a very cheerful city. We were soon established in a snug hotel, which though smaller and far less splendid than many we put up at, it raised above them all in my remembrance, by having for its landlord the most obliging, considerate, and gentlemanly person I ever had to deal with.

As we were not to proceed upon our journey until the afternoon, I walked out, after breakfast the next morning, to look about me; and was duly shown a model prison on the solitary system, just erected, and as yet without an inmate; the trunk of an old tree to which Harris, the first settler here (afterwards buried under it), was tied by hostile Indians, with his funeral pile about him, when he was saved by the timely appearance of a friendly party on the opposite shore of the river; the local legislature (for there was another of those bodies here again, in full debate); and the other curiosities of the town.

I was very much interested in looking over a number of treaties made from time to time with the poor Indians, signed by the different chiefs at the period of their ratification, and preserved in the office of the Secretary to the Commonwealth. These signatures, traced of course by their own hands, are rough drawings of the creatures or weapons they were called after. Thus, the Great Turtle makes a crooked pen-and-ink outline of a great turtle; the Buffalo sketches a buffalo; the War Hatchet sets a rough image of that weapon for his mark. So with the Arrow, the Fish, the Scalp, the Big Canoe, and all of them.

I could not but think - as I looked at these feeble and tremulous productions of hands which could draw the longest arrow to the head in a stout elk-horn bow, or split a bead or feather with a rifle- ball - of Crabbe's musings over the Parish Register, and the irregular scratches made with a pen, by men who would plough a lengthy furrow straight from end to end.