Several young lady pupils, ranging from thirteen or fourteen years of age to two or three and twenty, were assembled; and I was looking among them for their instructor when Caddy, pinching my arm, repeated the ceremony of introduction. "Miss Summerson, Mr. Prince Turveydrop!"

I curtsied to a little blue-eyed fair man of youthful appearance with flaxen hair parted in the middle and curling at the ends all round his head. He had a little fiddle, which we used to call at school a kit, under his left arm, and its little bow in the same hand. His little dancing-shoes were particularly diminutive, and he had a little innocent, feminine manner which not only appealed to me in an amiable way, but made this singular effect upon me, that I received the impression that he was like his mother and that his mother had not been much considered or well used.

"I am very happy to see Miss Jellyby's friend," he said, bowing low to me. "I began to fear," with timid tenderness, "as it was past the usual time, that Miss Jellyby was not coming."

"I beg you will have the goodness to attribute that to me, who have detained her, and to receive my excuses, sir," said I.

"Oh, dear!" said he.

"And pray," I entreated, "do not allow me to be the cause of any more delay."

With that apology I withdrew to a seat between Peepy (who, being well used to it, had already climbed into a corner place) and an old lady of a censorious countenance whose two nieces were in the class and who was very indignant with Peepy's boots. Prince Turveydrop then tinkled the strings of his kit with his fingers, and the young ladies stood up to dance. Just then there appeared from a side-door old Mr. Turveydrop, in the full lustre of his deportment.

He was a fat old gentleman with a false complexion, false teeth, false whiskers, and a wig. He had a fur collar, and he had a padded breast to his coat, which only wanted a star or a broad blue ribbon to be complete. He was pinched in, and swelled out, and got up, and strapped down, as much as he could possibly bear. He had such a neckcloth on (puffing his very eyes out of their natural shape), and his chin and even his ears so sunk into it, that it seemed as though be must inevitably double up if it were cast loose. He had under his arm a hat of great size and weight, shelving downward from the crown to the brim, and in his hand a pair of white gloves with which he flapped it as he stood poised on one leg in a high-shouldered, round-elbowed state of elegance not to be surpassed. He had a cane, he had an eye-glass, he had a snuff-box, he had rings, he had wristbands, he had everything but any touch of nature; he was not like youth, he was not like age, he was not like anything in the world but a model of deportment.

"Father! A visitor. Miss Jellyby's friend, Miss Summerson."

"Distinguished," said Mr. Turveydrop, "by Miss Summerson's presence." As he bowed to me in that tight state, I almost believe I saw creases come into the whites of his eyes.

"My father," said the son, aside, to me with quite an affecting belief in him, "is a celebrated character. My father is greatly admired."

"Go on, Prince! Go on!" said Mr. Turveydrop, standing with his back to the fire and waving his gloves condescendingly. "Go on, my son!"

At this command, or by this gracious permission, the lesson went on. Prince Turveydrop sometimes played the kit, dancing; sometimes played the piano, standing; sometimes hummed the tune with what little breath he could spare, while he set a pupil right; always conscientiously moved with the least proficient through every step and every part of the figure; and never rested for an instant. His distinguished father did nothing whatever but stand before the fire, a model of deportment.

"And he never does anything else," said the old lady of the censorious countenance. "Yet would you believe that it's HIS name on the door-plate?"

"His son's name is the same, you know," said I.

"He wouldn't let his son have any name if he could take it from him," returned the old lady.