Snagsby will have her eye upon him and upon some one else; and oh, you may walk a long while in your secret ways (says Mrs. Snagsby with haughtiness and scorn), but you can't blind ME!

Mrs. Snagsby sounds no timbrel in anybody's ears, but holds her purpose quietly, and keeps her counsel. To-morrow comes, the savoury preparations for the Oil Trade come, the evening comes. Comes Mr. Snagsby in his black coat; come the Chadbands; come (when the gorging vessel is replete) the 'prentices and Guster, to be edified; comes at last, with his slouching head, and his shuffle backward, and his shuffle forward, and his shuffle to the right, and his shuffle to the left, and his bit of fur cap in his muddy hand, which he picks as if it were some mangy bird he had caught and was plucking before eating raw, Jo, the very, very tough subject Mr. Chadband is to improve.

Mrs. Snagsby screws a watchful glance on Jo as he is brought into the little drawing-room by Guster. He looks at Mr. Snagsby the moment he comes in. Aha! Why does he look at Mr. Snagsby? Mr. Snagsby looks at him. Why should he do that, but that Mrs. Snagsby sees it all? Why else should that look pass between them, why else should Mr. Snagsby be confused and cough a signal cough behind his hand? It is as clear as crystal that Mr. Snagsby is that boy's father.

"Peace, my friends," says Chadband, rising and wiping the oily exudations from his reverend visage. "Peace be with us! My friends, why with us? Because," with his fat smile, "it cannot be against us, because it must be for us; because it is not hardening, because it is softening; because it does not make war like the hawk, but comes home unto us like the dove. Therefore, my friends, peace be with us! My human boy, come forward!"

Stretching forth his flabby paw, Mr. Chadband lays the same on Jo's arm and considers where to station him. Jo, very doubtful of his reverend friend's intentions and not at all clear but that something practical and painful is going to be done to him, mutters, "You let me alone. I never said nothink to you. You let me alone."

"No, my young friend," says Chadband smoothly, "I will not let you alone. And why? Because I am a harvest-labourer, because I am a toiler and a moiler, because you are delivered over unto me and are become as a precious instrument in my hands. My friends, may I so employ this instrument as to use it to your advantage, to your profit, to your gain, to your welfare, to your enrichment! My young friend, sit upon this stool."

Jo, apparently possessed by an impression that the reverend gentleman wants to cut his hair, shields his head with both arms and is got into the required position with great difficulty and every possible manifestation of reluctance.

When he is at last adjusted like a lay-figure, Mr. Chadband, retiring behind the table, holds up his bear's-paw and says, "My friends!" This is the signal for a general settlement of the audience. The 'prentices giggle internally and nudge each other. Guster falls into a staring and vacant state, compounded of a stunned admiration of Mr. Chadband and pity for the friendless outcast whose condition touches her nearly. Mrs. Snagsby silently lays trains of gunpowder. Mrs. Chadband composes herself grimly by the fire and warms her knees, finding that sensation favourable to the reception of eloquence.

It happens that Mr. Chadband has a pulpit habit of fixing some member of his congregation with his eye and fatly arguing his points with that particular person, who is understood to be expected to be moved to an occasional grunt, groan, gasp, or other audible expression of inward working, which expression of inward working, being echoed by some elderly lady in the next pew and so communicated like a game of forfeits through a circle of the more fermentable sinners present, serves the purpose of parliamentary cheering and gets Mr. Chadband's steam up. From mere force of habit, Mr. Chadband in saying "My friends!" has rested his eye on Mr.