Fodere and Mere, two pestilent Frenchmen who WOULD investigate the subject; and further, of the corroborative testimony of Monsieur Le Cat, a rather celebrated French surgeon once upon a time, who had the unpoliteness to live in a house where such a case occurred and even to write an account of it--still they regard the late Mr. Krook's obstinacy in going out of the world by any such by-way as wholly unjustifiable and personally offensive. The less the court understands of all this, the more the court likes it, and the greater enjoyment it has in the stock in trade of the Sol's Arms. Then there comes the artist of a picture newspaper, with a foreground and figures ready drawn for anything from a wreck on the Cornish coast to a review in Hyde Park or a meeting in Manchester, and in Mrs. Perkins' own room, memorable evermore, he then and there throws in upon the block Mr. Krook's house, as large as life; in fact, considerably larger, making a very temple of it. Similarly, being permitted to look in at the door of the fatal chamber, he depicts that apartment as three-quarters of a mile long by fifty yards high, at which the court is particularly charmed. All this time the two gentlemen before mentioned pop in and out of every house and assist at the philosophical disputations--go everywhere and listen to everybody--and yet are always diving into the Sol's parlour and writing with the ravenous little pens on the tissue-paper.

At last come the coroner and his inquiry, like as before, except that the coroner cherishes this case as being out of the common way and tells the gentlemen of the jury, in his private capacity, that "that would seem to be an unlucky house next door, gentlemen, a destined house; but so we sometimes find it, and these are mysteries we can't account for!" After which the six-footer comes into action and is much admired.

In all these proceedings Mr. Guppy has so slight a part, except when he gives his evidence, that he is moved on like a private individual and can only haunt the secret house on the outside, where he has the mortification of seeing Mr. Smallweed padlocking the door, and of bitterly knowing himself to be shut out. But before these proceedings draw to a close, that is to say, on the night next after the catastrophe, Mr. Guppy has a thing to say that must be said to Lady Dedlock.

For which reason, with a sinking heart and with that hang-dog sense of guilt upon him which dread and watching enfolded in the Sol's Arms have produced, the young man of the name of Guppy presents himself at the town mansion at about seven o'clock in the evening and requests to see her ladyship. Mercury replies that she is going out to dinner; don't he see the carriage at the door? Yes, he does see the carriage at the door; but he wants to see my Lady too.

Mercury is disposed, as he will presently declare to a fellow- gentleman in waiting, "to pitch into the young man"; but his instructions are positive. Therefore he sulkily supposes that the young man must come up into the library. There he leaves the young man in a large room, not over-light, while he makes report of him.

Mr. Guppy looks into the shade in all directions, discovering everywhere a certain charred and whitened little heap of coal or wood. Presently he hears a rustling. Is it--? No, it's no ghost, but fair flesh and blood, most brilliantly dressed.

"I have to beg your ladyship's pardon," Mr. Guppy stammers, very downcast. "This is an inconvenient time--"

"I told you, you could come at any time." She takes a chair, looking straight at him as on the last occasion.

"Thank your ladyship. Your ladyship is very affable."

"You can sit down." There is not much affability in her tone.

"I don't know, your ladyship, that it's worth while my sitting down and detaining you, for I--I have not got the letters that I mentioned when I had the honour of waiting on your ladyship."

"Have you come merely to say so?"

"Merely to say so, your ladyship." Mr. Guppy besides being depressed, disappointed, and uneasy, is put at a further disadvantage by the splendour and beauty of her appearance.