Charles Dickens

Once, she stopped to listen to a band of music; and then we stopped too.

She went on a long way. Still we went on. It was evident, from the manner in which she held her course, that she was going to some fixed destination; and this, and her keeping in the busy streets, and I suppose the strange fascination in the secrecy and mystery of so following anyone, made me adhere to my first purpose. At length she turned into a dull, dark street, where the noise and crowd were lost; and I said, 'We may speak to her now'; and, mending our pace, we went after her.

CHAPTER 47 MARTHA

We were now down in Westminster. We had turned back to follow her, having encountered her coming towards us; and Westminster Abbey was the point at which she passed from the lights and noise of the leading streets. She proceeded so quickly, when she got free of the two currents of passengers setting towards and from the bridge, that, between this and the advance she had of us when she struck off, we were in the narrow water-side street by Millbank before we came up with her. At that moment she crossed the road, as if to avoid the footsteps that she heard so close behind; and, without looking back, passed on even more rapidly.

A glimpse of the river through a dull gateway, where some waggons were housed for the night, seemed to arrest my feet. I touched my companion without speaking, and we both forbore to cross after her, and both followed on that opposite side of the way; keeping as quietly as we could in the shadow of the houses, but keeping very near her.

There was, and is when I write, at the end of that low-lying street, a dilapidated little wooden building, probably an obsolete old ferry-house. Its position is just at that point where the street ceases, and the road begins to lie between a row of houses and the river. As soon as she came here, and saw the water, she stopped as if she had come to her destination; and presently went slowly along by the brink of the river, looking intently at it.

All the way here, I had supposed that she was going to some house; indeed, I had vaguely entertained the hope that the house might be in some way associated with the lost girl. But that one dark glimpse of the river, through the gateway, had instinctively prepared me for her going no farther.

The neighbourhood was a dreary one at that time; as oppressive, sad, and solitary by night, as any about London. There were neither wharves nor houses on the melancholy waste of road near the great blank Prison. A sluggish ditch deposited its mud at the prison walls. Coarse grass and rank weeds straggled over all the marshy land in the vicinity. In one part, carcases of houses, inauspiciously begun and never finished, rotted away. In another, the ground was cumbered with rusty iron monsters of steam-boilers, wheels, cranks, pipes, furnaces, paddles, anchors, diving-bells, windmill-sails, and I know not what strange objects, accumulated by some speculator, and grovelling in the dust, underneath which - having sunk into the soil of their own weight in wet weather - they had the appearance of vainly trying to hide themselves. The clash and glare of sundry fiery Works upon the river-side, arose by night to disturb everything except the heavy and unbroken smoke that poured out of their chimneys. Slimy gaps and causeways, winding among old wooden piles, with a sickly substance clinging to the latter, like green hair, and the rags of last year's handbills offering rewards for drowned men fluttering above high-water mark, led down through the ooze and slush to the ebb-tide. There was a story that one of the pits dug for the dead in the time of the Great Plague was hereabout; and a blighting influence seemed to have proceeded from it over the whole place. Or else it looked as if it had gradually decomposed into that nightmare condition, out of the overflowings of the polluted stream.

As if she were a part of the refuse it had cast out, and left to corruption and decay, the girl we had followed strayed down to the river's brink, and stood in the midst of this night-picture, lonely and still, looking at the water.