Charles Dickens

Mrs Skewton was bent on taking charge of Mr Carker herself, and showing him the beauties of the Castle. She was determined to have his arm, and the Major's too. It would do that incorrigible creature: who was the most barbarous infidel in point of poetry: good to be in such company. This chance arrangement left Mr Dombey at liberty to escort Edith: which he did: stalking before them through the apartments with a gentlemanly solemnity.

'Those darling byegone times, Mr Carker,' said Cleopatra, 'with their delicious fortresses, and their dear old dungeons, and their delightful places of torture, and their romantic vengeances, and their picturesque assaults and sieges, and everything that makes life truly charming! How dreadfully we have degenerated!'

'Yes, we have fallen off deplorably,' said Mr Carker.

The peculiarity of their conversation was, that Mrs Skewton, in spite of her ecstasies, and Mr Carker, in spite of his urbanity, were both intent on watching Mr Dombey and Edith. With all their conversational endowments, they spoke somewhat distractedly, and at random, in consequence.

'We have no Faith left, positively,' said Mrs Skewton, advancing her shrivelled ear; for Mr Dombey was saying something to Edith. 'We have no Faith in the dear old Barons, who were the most delightful creatures - or in the dear old Priests, who were the most warlike of men - or even in the days of that inestimable Queen Bess, upon the wall there, which were so extremely golden. Dear creature! She was all Heart And that charming father of hers! I hope you dote on Harry the Eighth!'

'I admire him very much,' said Carker.

'So bluff!' cried Mrs Skewton, 'wasn't he? So burly. So truly English. Such a picture, too, he makes, with his dear little peepy eyes, and his benevolent chin!'

'Ah, Ma'am!' said Carker, stopping short; 'but if you speak of pictures, there's a composition! What gallery in the world can produce the counterpart of that?'

As the smiling gentleman thus spake, he pointed through a doorway to where Mr Dombey and Edith were standing alone in the centre of another room.

They were not interchanging a word or a look. Standing together, arm in arm, they had the appearance of being more divided than if seas had rolled between them. There was a difference even in the pride of the two, that removed them farther from each other, than if one had been the proudest and the other the humblest specimen of humanity in all creation. He, self-important, unbending, formal, austere. She, lovely and graceful, in an uncommon degree, but totally regardless of herself and him and everything around, and spurning her own attractions with her haughty brow and lip, as if they were a badge or livery she hated. So unmatched were they, and opposed, so forced and linked together by a chain which adverse hazard and mischance had forged: that fancy might have imagined the pictures on the walls around them, startled by the unnatural conjunction, and observant of it in their several expressions. Grim knights and warriors looked scowling on them. A churchman, with his hand upraised, denounced the mockery of such a couple coming to God's altar. Quiet waters in landscapes, with the sun reflected in their depths, asked, if better means of escape were not at hand, was there no drowning left? Ruins cried, 'Look here, and see what We are, wedded to uncongenial Time!' Animals, opposed by nature, worried one another, as a moral to them. Loves and Cupids took to flight afraid, and Martyrdom had no such torment in its painted history of suffering.

Nevertheless, Mrs Skewton was so charmed by the sight to which Mr Carker invoked her attention, that she could not refraIn from saying, half aloud, how sweet, how very full of soul it was! Edith, overhearing, looked round, and flushed indignant scarlet to her hair.

'My dearest Edith knows I was admiring her!' said Cleopatra, tapping her, almost timidly, on the back with her parasol. 'Sweet pet!'

Again Mr Carker saw the strife he had witnessed so unexpectedly among the trees.