Charles Dickens

What is the girl to me?'

'She is so much to me, that rather than communicate, or suffer to be communicated to her, one grain of the evil that is in my breast, mother, I would renounce you, as I would (if you gave me cause) renounce him in the church to-morrow,' replied Edith. 'Leave her alone. She shall not, while I can interpose, be tampered with and tainted by the lessons I have learned. This is no hard condition on this bitter night.'

'If you had proposed it in a filial manner, Edith,' whined her mother, 'perhaps not; very likely not. But such extremely cutting words - '

'They are past and at an end between us now,' said Edith. 'Take your own way, mother; share as you please in what you have gained; spend, enjoy, make much of it; and be as happy as you will. The object of our lives is won. Henceforth let us wear it silently. My lips are closed upon the past from this hour. I forgive you your part in to-morrow's wickedness. May God forgive my own!'

Without a tremor in her voice, or frame, and passing onward with a foot that set itself upon the neck of every soft emotion, she bade her mother good-night, and repaired to her own room.

But not to rest; for there was no rest in the tumult of her agitation when alone to and fro, and to and fro, and to and fro again, five hundred times, among the splendid preparations for her adornment on the morrow; with her dark hair shaken down, her dark eyes flashing with a raging light, her broad white bosom red with the cruel grasp of the relentless hand with which she spurned it from her, pacing up and down with an averted head, as if she would avoid the sight of her own fair person, and divorce herself from its companionship. Thus, In the dead time of the night before her bridal, Edith Granger wrestled with her unquiet spirit, tearless, friendless, silent, proud, and uncomplaining.

At length it happened that she touched the open door which led into the room where Florence lay.

She started, stopped, and looked in.

A light was burning there, and showed her Florence in her bloom of innocence and beauty, fast asleep. Edith held her breath, and felt herself drawn on towards her.

Drawn nearer, nearer, nearer yet; at last, drawn so near, that stooping down, she pressed her lips to the gentle hand that lay outside the bed, and put it softly to her neck. Its touch was like the prophet's rod of old upon the rock. Her tears sprung forth beneath it, as she sunk upon her knees, and laid her aching head and streaming hair upon the pillow by its side.

Thus Edith Granger passed the night before her bridal. Thus the sun found her on her bridal morning.

CHAPTER 31.

The Wedding

Dawn with its passionless blank face, steals shivering to the church beneath which lies the dust of little Paul and his mother, and looks in at the windows. It is cold and dark. Night crouches yet, upon the pavement, and broods, sombre and heavy, in nooks and corners of the building. The steeple-clock, perched up above the houses, emerging from beneath another of the countless ripples in the tide of time that regularly roll and break on the eternal shore, is greyly visible, like a stone beacon, recording how the sea flows on; but within doors, dawn, at first, can only peep at night, and see that it is there.

Hovering feebly round the church, and looking in, dawn moans and weeps for its short reign, and its tears trickle on the window-glass, and the trees against the church-wall bow their heads, and wring their many hands in sympathy. Night, growing pale before it, gradually fades out of the church, but lingers in the vaults below, and sits upon the coffins. And now comes bright day, burnishing the steeple-clock, and reddening the spire, and drying up the tears of dawn, and stifling its complaining; and the dawn, following the night, and chasing it from its last refuge, shrinks into the vaults itself and hides, with a frightened face, among the dead, until night returns, refreshed, to drive it out.

And now, the mice, who have been busier with the prayer-books than their proper owners, and with the hassocks, more worn by their little teeth than by human knees, hide their bright eyes in their holes, and gather close together in affright at the resounding clashing of the church-door.