There was no light in the room save that which the fire afforded. Glaring sullenly from time to time like the eye of a fierce beast half asleep, it revealed no objects that needed to be jealous of a better display. A heap of rags, a heap of bones, a wretched bed, two or three mutilated chairs or stools, the black walls and blacker ceiling, were all its winking brightness shone upon. As the old woman, with a gigantic and distorted image of herself thrown half upon the wall behind her, half upon the roof above, sat bending over the few loose bricks within which it was pent, on the damp hearth of the chimney - for there was no stove - she looked as if she were watching at some witch's altar for a favourable token; and but that the movement of her chattering jaws and trembling chin was too frequent and too fast for the slow flickering of the fire, it would have seemed an illusion wrought by the light, as it came and went, upon a face as motionless as the form to which it belonged.

If Florence could have stood within the room and looked upon the original of the shadow thrown upon the wall and roof as it cowered thus over the fire, a glance might have sufficed to recall the figure of Good Mrs Brown; notwithstanding that her childish recollection of that terrible old woman was as grotesque and exaggerated a presentment of the truth, perhaps, as the shadow on the wall. But Florence was not there to look on; and Good Mrs Brown remained unrecognised, and sat staring at her fire, unobserved.

Attracted by a louder sputtering than usual, as the rain came hissing down the chimney in a little stream, the old woman raised her head, impatiently, to listen afresh. And this time she did not drop it again; for there was a hand upon the door, and a footstep in the room.

'Who's that?' she said, looking over her shoulder.

'One who brings you news, was the answer, in a woman's voice.

'News? Where from?'

'From abroad.'

'From beyond seas?' cried the old woman, starting up.

'Ay, from beyond seas.'

The old woman raked the fire together, hurriedly, and going close to her visitor who had entered, and shut the door, and who now stood in the middle of the room, put her hand upon the drenched cloak, and turned the unresisting figure, so as to have it in the full light of the fire. She did not find what she had expected, whatever that might be; for she let the cloak go again, and uttered a querulous cry of disappointment and misery.

'What is the matter?' asked her visitor.

'Oho! Oho!' cried the old woman, turning her face upward, with a terrible howl.

'What is the matter?' asked the visitor again.

'It's not my gal!' cried the old woman, tossing up her arms, and clasping her hands above her head. 'Where's my Alice? Where's my handsome daughter? They've been the death of her!'

'They've not been the death of her yet, if your name's Marwood,' said the visitor.

'Have you seen my gal, then?' cried the old woman. 'Has she wrote to me?'

'She said you couldn't read,' returned the other.

'No more I can!' exclaimed the old woman, wringing her hands.

'Have you no light here?' said the other, looking round the room.

The old woman, mumbling and shaking her head, and muttering to herself about her handsome daughter, brought a candle from a cupboard in the corner, and thrusting it into the fire with a trembling hand, lighted it with some difficulty and set it on the table. Its dirty wick burnt dimly at first, being choked in its own grease; and when the bleared eyes and failing sight of the old woman could distinguish anything by its light, her visitor was sitting with her arms folded, her eyes turned downwards, and a handkerchief she had worn upon her head lying on the table by her side.

'She sent to me by word of mouth then, my gal, Alice?' mumbled the old woman, after waiting for some moments. 'What did she say?'

'Look,' returned the visitor.

The old woman repeated the word in a scared uncertain way; and, shading her eyes, looked at the speaker, round the room, and at the speaker once again.