As often as Mr Blandois clinked glasses (which was at every replenishment), Mr Flintwinch stolidly did his part of the clinking, and would have stolidly done his companion's part of the wine as well as his own: being, except in the article of palate, a mere cask.
In short, Mr Blandois found that to pour port wine into the reticent Flintwinch was, not to open him but to shut him up. Moreover, he had the appearance of a perfect ability to go on all night; or, if occasion were, all next day and all next night; whereas Mr Blandois soon grew indistinctly conscious of swaggering too fiercely and boastfully. He therefore terminated the entertainment at the end of the third bottle.
'You will draw upon us to-morrow, sir,' said Mr Flintwinch, with a business-like face at parting.
'My Cabbage,' returned the other, taking him by the collar with both hands, 'I'll draw upon you; have no fear. Adieu, my Flintwinch. Receive at parting;' here he gave him a southern embrace, and kissed him soundly on both cheeks; 'the word of a gentleman! By a thousand Thunders, you shall see me again!'
He did not present himself next day, though the letter of advice came duly to hand. Inquiring after him at night, Mr Flintwinch found, with surprise, that he had paid his bill and gone back to the Continent by way of Calais. Nevertheless, Jeremiah scraped out of his cogitating face a lively conviction that Mr Blandois would keep his word on this occasion, and would be seen again.
CHAPTER 31
Spirit
Anybody may pass, any day, in the thronged thoroughfares of the metropolis, some meagre, wrinkled, yellow old man (who might be supposed to have dropped from the stars, if there were any star in the Heavens dull enough to be suspected of casting off so feeble a spark), creeping along with a scared air, as though bewildered and a little frightened by the noise and bustle. This old man is always a little old man. If he were ever a big old man, he has shrunk into a little old man; if he were always a little old man, he has dwindled into a less old man. His coat is a colour, and cut, that never was the mode anywhere, at any period. Clearly, it was not made for him, or for any individual mortal. Some wholesale contractor measured Fate for five thousand coats of such quality, and Fate has lent this old coat to this old man, as one of a long unfinished line of many old men. It has always large dull metal buttons, similar to no other buttons. This old man wears a hat, a thumbed and napless and yet an obdurate hat, which has never adapted itself to the shape of his poor head. His coarse shirt and his coarse neckcloth have no more individuality than his coat and hat; they have the same character of not being his--of not being anybody's. Yet this old man wears these clothes with a certain unaccustomed air of being dressed and elaborated for the public ways; as though he passed the greater part of his time in a nightcap and gown. And so, like the country mouse in the second year of a famine, come to see the town mouse, and timidly threading his way to the town-mouse's lodging through a city of cats, this old man passes in the streets.
Sometimes, on holidays towards evening, he will be seen to walk with a slightly increased infirmity, and his old eyes will glimmer with a moist and marshy light. Then the little old man is drunk. A very small measure will overset him; he may be bowled off his unsteady legs with a half-pint pot. Some pitying acquaintance-- chance acquaintance very often--has warmed up his weakness with a treat of beer, and the consequence will be the lapse of a longer time than usual before he shall pass again. For the little old man is going home to the Workhouse; and on his good behaviour they do not let him out often (though methinks they might, considering the few years he has before him to go out in, under the sun); and on his bad behaviour they shut him up closer than ever in a grove of two score and nineteen more old men, every one of whom smells of all the others.