Charles Dickens

He could only bite his nails and puff away to the next Defaulter. The responsive Bleeding Hearts would then gather round the Defaulter whom he had just abandoned, and the most extravagant rumours would circulate among them, to their great comfort, touching the amount of Mr Merdle's ready money.

From one of the many such defeats of one of many rent-days, Mr Pancks, having finished his day's collection, repaired with his note-book under his arm to Mrs Plornish's corner. Mr Pancks's object was not professional, but social. He had had a trying day, and wanted a little brightening. By this time he was on friendly terms with the Plornish family, having often looked in upon them at similar seasons, and borne his part in recollections of Miss Dorrit.

Mrs Plornish's shop-parlour had been decorated under her own eye, and presented, on the side towards the shop, a little fiction in which Mrs Plornish unspeakably rejoiced. This poetical heightening of the parlour consisted in the wall being painted to represent the exterior of a thatched cottage; the artist having introduced (in as effective a manner as he found compatible with their highly disproportionate dimensions) the real door and window. The modest sunflower and hollyhock were depicted as flourishing with great luxuriance on this rustic dwelling, while a quantity of dense smoke issuing from the chimney indicated good cheer within, and also, perhaps, that it had not been lately swept. A faithful dog was represented as flying at the legs of the friendly visitor, from the threshold; and a circular pigeon-house, enveloped in a cloud of pigeons, arose from behind the garden-paling. On the door (when it was shut), appeared the semblance of a brass-plate, presenting the inscription, Happy Cottage, T. and M. Plornish; the partnership expressing man and wife. No Poetry and no Art ever charmed the imagination more than the union of the two in this counterfeit cottage charmed Mrs Plornish. It was nothing to her that Plornish had a habit of leaning against it as he smoked his pipe after work, when his hat blotted out the pigeon-house and all the pigeons, when his back swallowed up the dwelling, when his hands in his pockets uprooted the blooming garden and laid waste the adjacent country. To Mrs Plornish, it was still a most beautiful cottage, a most wonderful deception; and it made no difference that Mr Plornish's eye was some inches above the level of the gable bed-room in the thatch. To come out into the shop after it was shut, and hear her father sing a song inside this cottage, was a perfect Pastoral to Mrs Plornish, the Golden Age revived. And truly if that famous period had been revived, or had ever been at all, it may be doubted whether it would have produced many more heartily admiring daughters than the poor woman.

Warned of a visitor by the tinkling bell at the shop-door, Mrs Plornish came out of Happy Cottage to see who it might be. 'I guessed it was you, Mr Pancks,' said she, 'for it's quite your regular night; ain't it? Here's father, you see, come out to serve at the sound of the bell, like a brisk young shopman. Ain't he looking well? Father's more pleased to see you than if you was a customer, for he dearly loves a gossip; and when it turns upon Miss Dorrit, he loves it all the more. You never heard father in such voice as he is at present,' said Mrs Plornish, her own voice quavering, she was so proud and pleased. 'He gave us Strephon last night to that degree that Plornish gets up and makes him this speech across the table. "John Edward Nandy," says Plornish to father, "I never heard you come the warbles as I have heard you come the warbles this night." An't it gratifying, Mr Pancks, though; really?'

Mr Pancks, who had snorted at the old man in his friendliest manner, replied in the affirmative, and casually asked whether that lively Altro chap had come in yet? Mrs Plornish answered no, not yet, though he had gone to the West-End with some work, and had said he should be back by tea-time.