Charles Dickens

He therefore resolved that he would take advantage of that evening's freedom to go down to Clennam and Co.'s, easily to be found by the direction set forth in the handbill; and see the place, and ask a question or two there himself.

Having dined as plainly as the establishment and the Courier would let him, and having taken a short sleep by the fire for his better recovery from Mrs Finching, he set out in a hackney-cabriolet alone. The deep bell of St Paul's was striking nine as he passed under the shadow of Temple Bar, headless and forlorn in these degenerate days.

As he approached his destination through the by-streets and water- side ways, that part of London seemed to him an uglier spot at such an hour than he had ever supposed it to be. Many long years had passed since he had seen it; he had never known much of it; and it wore a mysterious and dismal aspect in his eyes. So powerfully was his imagination impressed by it, that when his driver stopped, after having asked the way more than once, and said to the best of his belief this was the gateway they wanted, Mr Dorrit stood hesitating, with the coach-door in his hand, half afraid of the dark look of the place.

Truly, it looked as gloomy that night as even it had ever looked. Two of the handbills were posted on the entrance wall, one on either side, and as the lamp flickered in the night air, shadows passed over them, not unlike the shadows of fingers following the lines. A watch was evidently kept upon the place. As Mr Dorrit paused, a man passed in from over the way, and another man passed out from some dark corner within; and both looked at him in passing, and both remained standing about.

As there was only one house in the enclosure, there was no room for uncertainty, so he went up the steps of that house and knocked. There was a dim light in two windows on the first-floor. The door gave back a dreary, vacant sound, as though the house were empty; but it was not, for a light was visible, and a step was audible, almost directly. They both came to the door, and a chain grated, and a woman with her apron thrown over her face and head stood in the aperture.

'Who is it?' said the woman.

Mr Dorrit, much amazed by this appearance, replied that he was from Italy, and that he wished to ask a question relative to the missing person, whom he knew.

'Hi!' cried the woman, raising a cracked voice. 'Jeremiah!'

Upon this, a dry old man appeared, whom Mr Dorrit thought he identified by his gaiters, as the rusty screw. The woman was Under apprehensions of the dry old man, for she whisked her apron away as he approached, and disclosed a pale affrighted face. 'Open the door, you fool,' said the old man; 'and let the gentleman in.'

Mr Dorrit, not without a glance over his shoulder towards his driver and the cabriolet, walked into the dim hall. 'Now, sir,' said Mr Flintwinch, 'you can ask anything here you think proper; there are no secrets here, sir.'

Before a reply could be made, a strong stern voice, though a woman's, called from above, 'Who is it?'

'Who is it?' returned Jeremiah. 'More inquiries. A gentleman from Italy.'

'Bring him up here!'

Mr Flintwinch muttered, as if he deemed that unnecessary; but, turning to Mr Dorrit, said, 'Mrs Clennam. She will do as she likes. I'll show you the way.' He then preceded Mr Dorrit up the blackened staircase; that gentleman, not unnaturally looking behind him on the road, saw the woman following, with her apron thrown over her head again in her former ghastly manner.

Mrs Clennam had her books open on her little table. 'Oh!' said she abruptly, as she eyed her visitor with a steady look. 'You are from Italy, sir, are you. Well?' Mr Dorrit was at a loss for any more distinct rejoinder at the moment than 'Ha--well?'

'Where is this missing man? Have you come to give us information where he is? I hope you have?'

'So far from it, I--hum--have come to seek information.' 'Unfortunately for us, there is none to be got here. Flintwinch, show the gentleman the handbill.