Let an old friend assure you of his full conviction that you did quite right.'

'One last remark,' proceeded Flora, rejecting commonplace life with a wave of her hand, 'I wish to make, one last explanation I wish to offer, there was a time ere Mr F. first paid attentions incapable of being mistaken, but that is past and was not to be, dear Mr Clennam you no longer wear a golden chain you are free I trust you may be happy, here is Papa who is always tiresome and putting in his nose everywhere where he is not wanted.'

With these words, and with a hasty gesture fraught with timid caution--such a gesture had Clennam's eyes been familiar with in the old time--poor Flora left herself at eighteen years of age, a long long way behind again; and came to a full stop at last.

Or rather, she left about half of herself at eighteen years of age behind, and grafted the rest on to the relict of the late Mr F.; thus making a moral mermaid of herself, which her once boy-lover contemplated with feelings wherein his sense of the sorrowful and his sense of the comical were curiously blended.

For example. As if there were a secret understanding between herself and Clennam of the most thrilling nature; as if the first of a train of post-chaises and four, extending all the way to Scotland, were at that moment round the corner; and as if she couldn't (and wouldn't) have walked into the Parish Church with him, under the shade of the family umbrella, with the Patriarchal blessing on her head, and the perfect concurrence of all mankind; Flora comforted her soul with agonies of mysterious signalling, expressing dread of discovery. With the sensation of becoming more and more light-headed every minute, Clennam saw the relict of the late Mr F. enjoying herself in the most wonderful manner, by putting herself and him in their old places, and going through all the old performances--now, when the stage was dusty, when the scenery was faded, when the youthful actors were dead, when the orchestra was empty, when the lights were out. And still, through all this grotesque revival of what he remembered as having once been prettily natural to her, he could not but feel that it revived at sight of him, and that there was a tender memory in it.

The Patriarch insisted on his staying to dinner, and Flora signalled 'Yes!' Clennam so wished he could have done more than stay to dinner--so heartily wished he could have found the Flora that had been, or that never had been--that he thought the least atonement he could make for the disappointment he almost felt ashamed of, was to give himself up to the family desire. Therefore, he stayed to dinner.

Pancks dined with them. Pancks steamed out of his little dock at a quarter before six, and bore straight down for the Patriarch, who happened to be then driving, in an inane manner, through a stagnant account of Bleeding Heart Yard. Pancks instantly made fast to him and hauled him out.

'Bleeding Heart Yard?' said Pancks, with a puff and a snort. 'It's a troublesome property. Don't pay you badly, but rents are very hard to get there. You have more trouble with that one place than with all the places belonging to you.'

just as the big ship in tow gets the credit, with most spectators, of being the powerful object, so the Patriarch usually seemed to have said himself whatever Pancks said for him.

'Indeed?' returned Clennam, upon whom this impression was so efficiently made by a mere gleam of the polished head that he spoke the ship instead of the Tug. 'The people are so poor there?'

'You can't say, you know,' snorted Pancks, taking one of his dirty hands out of his rusty iron-grey pockets to bite his nails, if he could find any, and turning his beads of eyes upon his employer, 'whether they're poor or not. They say they are, but they all say that. When a man says he's rich, you're generally sure he isn't. Besides, if they ARE poor, you can't help it. You'd be poor yourself if you didn't get your rents.'

'True enough,' said Arthur.

'You're not going to keep open house for all the poor of London,' pursued Pancks.