The hairdresser rushes out to meet her, but d'rectly she sees the dummies she changes colour and falls a tremblin' wiolently. "Look up, my love," says the hairdresser, "behold your imige in my winder, but not correcter than in my art!" "My imige!" she says. "Yourn!" replies the hairdresser. "But whose imige is THAT?" she says, a pinting at vun o' the gen'lmen. "No vun's, my love," he says, "it is but a idea." "A idea! " she cries: "it is a portrait, I feel it is a portrait, and that 'ere noble face must be in the millingtary!" "Wot do I hear!" says he, a crumplin' his curls. "Villiam Gibbs," she says, quite firm, "never renoo the subject. I respect you as a friend," she says, "but my affections is set upon that manly brow." "This," says the hairdresser, "is a reg'lar blight, and in it I perceive the hand of Fate. Farevell!" Vith these vords he rushes into the shop, breaks the dummy's nose vith a blow of his curlin'-irons, melts him down at the parlour fire, and never smiles artervards.'

'The young lady, Mr. Weller?' said the housekeeper.

'Why, ma'am,' said Sam, 'finding that Fate had a spite agin her, and everybody she come into contact vith, she never smiled neither, but read a deal o' poetry and pined avay, - by rayther slow degrees, for she ain't dead yet. It took a deal o' poetry to kill the hair-dresser, and some people say arter all that it was more the gin and water as caused him to be run over; p'r'aps it was a little o' both, and came o' mixing the two.'

The barber declared that Mr. Weller had related one of the most interesting stories that had ever come within his knowledge, in which opinion the housekeeper entirely concurred.

'Are you a married man, sir?' inquired Sam.

The barber replied that he had not that honour.

'I s'pose you mean to be?' said Sam.

'Well,' replied the barber, rubbing his hands smirkingly, 'I don't know, I don't think it's very likely.'

'That's a bad sign,' said Sam; 'if you'd said you meant to be vun o' these days, I should ha' looked upon you as bein' safe. You're in a wery precarious state.'

'I am not conscious of any danger, at all events,' returned the barber.

'No more wos I, sir,' said the elder Mr. Weller, interposing; 'those vere my symptoms, exactly. I've been took that vay twice. Keep your vether eye open, my friend, or you're gone.'

There was something so very solemn about this admonition, both in its matter and manner, and also in the way in which Mr. Weller still kept his eye fixed upon the unsuspecting victim, that nobody cared to speak for some little time, and might not have cared to do so for some time longer, if the housekeeper had not happened to sigh, which called off the old gentleman's attention and gave rise to a gallant inquiry whether 'there wos anythin' wery piercin' in that 'ere little heart?'

'Dear me, Mr. Weller!' said the housekeeper, laughing.

'No, but is there anythin' as agitates it?' pursued the old gentleman. 'Has it always been obderrate, always opposed to the happiness o' human creeturs? Eh? Has it?'

At this critical juncture for her blushes and confusion, the housekeeper discovered that more ale was wanted, and hastily withdrew into the cellar to draw the same, followed by the barber, who insisted on carrying the candle. Having looked after her with a very complacent expression of face, and after him with some disdain, Mr. Weller caused his glance to travel slowly round the kitchen, until at length it rested on his son.

'Sammy,' said Mr. Weller, 'I mistrust that barber.'

'Wot for?' returned Sam; 'wot's he got to do with you? You're a nice man, you are, arter pretendin' all kinds o' terror, to go a payin' compliments and talkin' about hearts and piercers.'

The imputation of gallantry appeared to afford Mr. Weller the utmost delight, for he replied in a voice choked by suppressed laughter, and with the tears in his eyes,

'Wos I a talkin' about hearts and piercers, - wos I though, Sammy, eh?'

'Wos you? of course you wos.'

'She don't know no better, Sammy, there ain't no harm in it, - no danger, Sammy; she's only a punster.