Charles Dickens

No Thoroughfare

Charles Dickens and Wilkie Collins

No Thoroughfare Page 15

That speechless matron was never seen in a front view, from the moment of her arrival to that of her departure--except at dinner. And from the instant of her retirement to the drawing-room, after a hearty participation in that meal, she turned her face to the wall again.

Yet, through four or five delightful though distracting hours, Marguerite was to be seen, Marguerite was to be heard, Marguerite was to be occasionally touched. When they made the round of the old dark cellars, Vendale led her by the hand; when she sang to him in the lighted room at night, Vendale, standing by her, held her relinquished gloves, and would have bartered against them every drop of the forty-five year old, though it had been forty-five times forty-five years old, and its nett price forty-five times forty-five pounds per dozen. And still, when she was gone, and a great gap of an extinguisher was clapped on Cripple Corner, he tormented himself by wondering, Did she think that he admired her! Did she think that he adored her! Did she suspect that she had won him, heart and soul! Did she care to think at all about it! And so, Did she and Didn't she, up and down the gamut, and above the line and below the line, dear, dear! Poor restless heart of humanity! To think that the men who were mummies thousands of years ago, did the same, and ever found the secret how to be quiet after it!

"What do you think, George," Wilding asked him next day, "of Mr. Obenreizer? (I won't ask you what you think of Miss Obenreizer.)"

"I don't know," said Vendale, "and I never did know, what to think of him."

"He is well informed and clever," said Wilding.

"Certainly clever."

"A good musician." (He had played very well, and sung very well, overnight.)

"Unquestionably a good musician."

"And talks well."

"Yes," said George Vendale, ruminating, "and talks well. Do you know, Wilding, it oddly occurs to me, as I think about him, that he doesn't keep silence well!"

"How do you mean? He is not obtrusively talkative."

"No, and I don't mean that. But when he is silent, you can hardly help vaguely, though perhaps most unjustly, mistrusting him. Take people whom you know and like. Take any one you know and like."

"Soon done, my good fellow," said Wilding. "I take you."

"I didn't bargain for that, or foresee it," returned Vendale, laughing. "However, take me. Reflect for a moment. Is your approving knowledge of my interesting face mainly founded (however various the momentary expressions it may include) on my face when I am silent?"

"I think it is," said Wilding.

"I think so too. Now, you see, when Obenreizer speaks--in other words, when he is allowed to explain himself away--he comes out right enough; but when he has not the opportunity of explaining himself away, he comes out rather wrong. Therefore it is, that I say he does not keep silence well. And passing hastily in review such faces as I know, and don't trust, I am inclined to think, now I give my mind to it, that none of them keep silence well."

This proposition in Physiognomy being new to Wilding, he was at first slow to admit it, until asking himself the question whether Mrs. Goldstraw kept silence well, and remembering that her face in repose decidedly invited trustfulness, he was as glad as men usually are to believe what they desire to believe.

But, as he was very slow to regain his spirits or his health, his partner, as another means of setting him up--and perhaps also with contingent Obenreizer views--reminded him of those musical schemes of his in connection with his family, and how a singing-class was to be formed in the house, and a Choir in a neighbouring church. The class was established speedily, and, two or three of the people having already some musical knowledge, and singing tolerably, the Choir soon followed. The latter was led, and chiefly taught, by Wilding himself: who had hopes of converting his dependents into so many Foundlings, in respect of their capacity to sing sacred choruses.

Now, the Obenreizers being skilled musicians, it was easily brought to pass that they should be asked to join these musical unions. Guardian and Ward consenting, or Guardian consenting for both, it was necessarily brought to pass that Vendale's life became a life of absolute thraldom and enchantment. For, in the mouldy Christopher- Wren church on Sundays, with its dearly beloved brethren assembled and met together, five-and-twenty strong, was not that Her voice that shot like light into the darkest places, thrilling the walls and pillars as though they were pieces of his heart! What time, too, Madame Dor in a corner of the high pew, turning her back upon everybody and everything, could not fail to be Ritualistically right at some moment of the service; like the man whom the doctors recommended to get drunk once a month, and who, that he might not overlook it, got drunk every day.

But, even those seraphic Sundays were surpassed by the Wednesday concerts established for the patriarchal family. At those concerts she would sit down to the piano and sing them, in her own tongue, songs of her own land, songs calling from the mountain-tops to Vendale, "Rise above the grovelling level country; come far away from the crowd; pursue me as I mount higher; higher, higher, melting into the azure distance; rise to my supremest height of all, and love me here!" Then would the pretty bodice, the clocked stocking, and the silver-buckled shoe be, like the broad forehead and the bright eyes, fraught with the spring of a very chamois, until the strain was over.

Not even over Vendale himself did these songs of hers cast a more potent spell than over Joey Ladle in his different way. Steadily refusing to muddle the harmony by taking any share in it, and evincing the supremest contempt for scales and such-like rudiments of music--which, indeed, seldom captivate mere listeners--Joey did at first give up the whole business for a bad job, and the whole of the performers for a set of howling Dervishes. But, descrying traces of unmuddled harmony in a part-song one day, he gave his two under cellarmen faint hopes of getting on towards something in course of time. An anthem of Handel's led to further encouragement from him: though he objected that that great musician must have been down in some of them foreign cellars pretty much, for to go and say the same thing so many times over; which, took it in how you might, he considered a certain sign of your having took it in somehow. On a third occasion, the public appearance of Mr. Jarvis with a flute, and of an odd man with a violin, and the performance of a duet by the two, did so astonish him that, solely of his own impulse and motion, he became inspired with the words, "Ann Koar!" repeatedly pronouncing them as if calling in a familiar manner for some lady who had distinguished herself in the orchestra. But this was his final testimony to the merits of his mates, for, the instrumental duet being performed at the first Wednesday concert, and being presently followed by the voice of Marguerite Obenreizer, he sat with his mouth wide open, entranced, until she had finished; when, rising in his place with much solemnity, and prefacing what he was about to say with a bow that specially included Mr.