Come back, and be dead!' And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, 'Come back and be dead, Come back and be dead!'

When they got down into the entry, Fledgeby, pausing under the shadow of the broad old hat, and mechanically poising the staff, said to the old man:

'That's a handsome girl, that one in her senses.'

'And as good as handsome,' answered Riah.

'At all events,' observed Fledgeby, with a dry whistle, 'I hope she ain't bad enough to put any chap up to the fastenings, and get the premises broken open. You look out. Keep your weather eye awake and don't make any more acquaintances, however handsome. Of course you always keep my name to yourself?'

'Sir, assuredly I do.'

'If they ask it, say it's Pubsey, or say it's Co, or say it's anything you like, but what it is.'

His grateful servant--in whose race gratitude is deep, strong, and enduring--bowed his head, and actually did now put the hem of his coat to his lips: though so lightly that the wearer knew nothing of it.

Thus, Fascination Fledgeby went his way, exulting in the artful cleverness with which he had turned his thumb down on a Jew, and the old man went his different way up-stairs. As he mounted, the call or song began to sound in his ears again, and, looking above, he saw the face of the little creature looking down out of a Glory of her long bright radiant hair, and musically repeating to him, like a vision:

'Come up and be dead! Come up and be dead!'

Chapter 6

A RIDDLE WITHOUT AN ANSWER

Again Mr Mortimer Lightwood and Mr Eugene Wrayburn sat together in the Temple. This evening, however, they were not together in the place of business of the eminent solicitor, but in another dismal set of chambers facing it on the same second-floor; on whose dungeon-like black outer-door appeared the legend:

PRIVATE

MR EUGENE WRAYBURN

MR MORTIMER LIGHTWOOD

(Mr Lightwood's Offices opposite.)

Appearances indicated that this establishment was a very recent institution. The white letters of the inscription were extremely white and extremely strong to the sense of smell, the complexion of the tables and chairs was (like Lady Tippins's) a little too blooming to be believed in, and the carpets and floorcloth seemed to rush at the beholder's face in the unusual prominency of their patterns. But the Temple, accustomed to tone down both the still life and the human life that has much to do with it, would soon get the better of all that.

'Well!' said Eugene, on one side of the fire, 'I feel tolerably comfortable. I hope the upholsterer may do the same.'

'Why shouldn't he?' asked Lightwood, from the other side of the fire.

'To be sure,' pursued Eugene, reflecting, 'he is not in the secret of our pecuniary affairs, so perhaps he may be in an easy frame of mind.'

'We shall pay him,' said Mortimer.

'Shall we, really?' returned Eugene, indolently surprised. 'You don't say so!'

'I mean to pay him, Eugene, for my part,' said Mortimer, in a slightly injured tone.

'Ah! I mean to pay him too,' retorted Eugene. 'But then I mean so much that I--that I don't mean.'

'Don't mean?'

'So much that I only mean and shall always only mean and nothing more, my dear Mortimer. It's the same thing.'

His friend, lying back in his easy chair, watched him lying back in his easy chair, as he stretched out his legs on the hearth-rug, and said, with the amused look that Eugene Wrayburn could always awaken in him without seeming to try or care:

'Anyhow, your vagaries have increased the bill.'

'Calls the domestic virtues vagaries!' exclaimed Eugene, raising his eyes to the ceiling.

'This very complete little kitchen of ours,' said Mortimer, 'in which nothing will ever be cooked--'

'My dear, dear Mortimer,' returned his friend, lazily lifting his head a little to look at him, 'how often have I pointed out to you that its moral influence is the important thing?'

'Its moral influence on this fellow!' exclaimed Lightwood, laughing.