Charles Dickens

Here, conveniently and heathfully elevated above the level of the living, were the dead, and the tombstones; some of the latter droopingly inclined from the perpendicular, as if they were ashamed of the lies they told.

They paced the whole of this place once, in a constrained and uncomfortable manner, when the boy stopped and said:

'Lizzie, Mr Headstone has something to say to you. I don't wish to be an interruption either to him or to you, and so I'll go and take a little stroll and come back. I know in a general way what Mr Headstone intends to say, and I very highly approve of it, as I hope--and indeed I do not doubt--you will. I needn't tell you, Lizzie, that I am under great obligations to Mr Headstone, and that I am very anxious for Mr Headstone to succeed in all he undertakes. As I hope--and as, indeed, I don't doubt--you must be.'

'Charley,' returned his sister, detaining his hand as he withdrew it, 'I think you had better stay. I think Mr Headstone had better not say what he thinks of saying.'

'Why, how do you know what it is?' returned the boy.

'Perhaps I don't, but--'

'Perhaps you don't? No, Liz, I should think not. If you knew what it was, you would give me a very different answer. There; let go; be sensible. I wonder you don't remember that Mr Headstone is looking on.'

She allowed him to separate himself from her, and he, after saying, 'Now Liz, be a rational girl and a good sister,' walked away. She remained standing alone with Bradley Headstone, and it was not until she raised her eyes, that he spoke.

'I said,' he began, 'when I saw you last, that there was something unexplained, which might perhaps influence you. I have come this evening to explain it. I hope you will not judge of me by my hesitating manner when I speak to you. You see me at my greatest disadvantage. It is most unfortunate for me that I wish you to see me at my best, and that I know you see me at my worst.'

She moved slowly on when he paused, and he moved slowly on beside her.

'It seems egotistical to begin by saying so much about myself,' he resumed, 'but whatever I say to you seems, even in my own ears, below what I want to say, and different from what I want to say. I can't help it. So it is. You are the ruin of me.'

She started at the passionate sound of the last words, and at the passionate action of his hands, with which they were accompanied.

'Yes! you are the ruin--the ruin--the ruin--of me. I have no resources in myself, I have no confidence in myself, I have no government of myself when you are near me or in my thoughts. And you are always in my thoughts now. I have never been quit of you since I first saw you. Oh, that was a wretched day for me! That was a wretched, miserable day!'

A touch of pity for him mingled with her dislike of him, and she said: 'Mr Headstone, I am grieved to have done you any harm, but I have never meant it.'

'There!' he cried, despairingly. 'Now, I seem to have reproached you, instead of revealing to you the state of my own mind! Bear with me. I am always wrong when you are in question. It is my doom.'

Struggling with himself, and by times looking up at the deserted windows of the houses as if there could be anything written in their grimy panes that would help him, he paced the whole pavement at her side, before he spoke again.

'I must try to give expression to what is in my mind; it shall and must be spoken. Though you see me so confounded--though you strike me so helpless--I ask you to believe that there are many people who think well of me; that there are some people who highly esteem me; that I have in my way won a Station which is considered worth winning.'

'Surely, Mr Headstone, I do believe it. Surely I have always known it from Charley.'

'I ask you to believe that if I were to offer my home such as it is, my station such as it is, my affections such as they are, to any one of the best considered, and best qualified, and most distinguished, among the young women engaged in my calling, they would probably be accepted.