'Fetch a doctor,' quoth Miss Abbey. And then, 'Fetch his daughter.' On both of which errands, quick messengers depart.

The doctor-seeking messenger meets the doctor halfway, coming under convoy of police. Doctor examines the dank carcase, and pronounces, not hopefully, that it is worth while trying to reanimate the same. All the best means are at once in action, and everybody present lends a hand, and a heart and soul. No one has the least regard for the man; with them all, he has been an object of avoidance, suspicion, and aversion; but the spark of life within him is curiously separable from himself now, and they have a deep interest in it, probably because it IS life, and they are living and must die.

In answer to the doctor's inquiry how did it happen, and was anyone to blame, Tom Tootle gives in his verdict, unavoidable accident and no one to blame but the sufferer. 'He was slinking about in his boat,' says Tom, 'which slinking were, not to speak ill of the dead, the manner of the man, when he come right athwart the steamer's bows and she cut him in two.' Mr Tootle is so far figurative, touching the dismemberment, as that he means the boat, and not the man. For, the man lies whole before them.

Captain Joey, the bottle-nosed regular customer in the glazed hat, is a pupil of the much-respected old school, and (having insinuated himself into the chamber, in the execution of the impontant service of carrying the drowned man's neck-kerchief) favours the doctor with a sagacious old-scholastic suggestion that the body should be hung up by the heels, 'sim'lar', says Captain Joey, 'to mutton in a butcher's shop,' and should then, as a particularly choice manoeuvre for promoting easy respiration, be rolled upon casks. These scraps of the wisdom of the captain's ancestors are received with such speechless indignation by Miss Abbey, that she instantly seizes the Captain by the collar, and without a single word ejects him, not presuming to remonstrate, from the scene.

There then remain, to assist the doctor and Tom, only those three other regular customers, Bob Glamour, William Williams, and Jonathan (family name of the latter, if any, unknown to man-kind), who are quite enough. Miss Abbey having looked in to make sure that nothing is wanted, descends to the bar, and there awaits the result, with the gentle Jew and Miss Jenny Wren.

If you are not gone for good, Mr Riderhood, it would be something to know where you are hiding at present. This flabby lump of mortality that we work so hard at with such patient perseverance, yields no sign of you. If you are gone for good, Rogue, it is very solemn, and if you are coming back, it is hardly less so. Nay, in the suspense and mystery of the latter question, involving that of where you may be now, there is a solemnity even added to that of death, making us who are in attendance alike afraid to look on you and to look off you, and making those below start at the least sound of a creaking plank in the floor.

Stay! Did that eyelid tremble? So the doctor, breathing low, and closely watching, asks himself.

No.

Did that nostril twitch?

No.

This artificial respiration ceasing, do I feel any faint flutter under my hand upon the chest?

No.

Over and over again No. No. But try over and over again, nevertheless.

See! A token of life! An indubitable token of life! The spark may smoulder and go out, or it may glow and expand, but see! The four rough fellows, seeing, shed tears. Neither Riderhood in this world, nor Riderhood in the other, could draw tears from them; but a striving human soul between the two can do it easily.

He is struggling to come back. Now, he is almost here, now he is far away again. Now he is struggling harder to get back. And yet- -like us all, when we swoon--like us all, every day of our lives when we wake--he is instinctively unwilling to be restored to the consciousness of this existence, and would be left dormant, if he could.

Bob Gliddery returns with Pleasant Riderhood, who was out when sought for, and hard to find.