Faring on and hiding, hiding and faring on, the poor harmless creature, as though she were a Murderess and the whole country were up after her, wore out the day, and gained the night.

'Water-meadows, or such like,' she had sometimes murmured, on the day's pilgrimage, when she had raised her head and taken any note of the real objects about her. There now arose in the darkness, a great building, full of lighted windows. Smoke was issuing from a high chimney in the rear of it, and there was the sound of a water-wheel at the side. Between her and the building, lay a piece of water, in which the lighted windows were reflected, and on its nearest margin was a plantation of trees. 'I humbly thank the Power and the Glory,' said Betty Higden, holding up her withered hands, 'that I have come to my journey's end!'

She crept among the trees to the trunk of a tree whence she could see, beyond some intervening trees and branches, the lighted windows, both in their reality and their reflection in the water. She placed her orderly little basket at her side, and sank upon the ground, supporting herself against the tree. It brought to her mind the foot of the Cross, and she committed herself to Him who died upon it. Her strength held out to enable her to arrange the letter in her breast, so as that it could be seen that she had a paper there. It had held out for this, and it departed when this was done.

'I am safe here,' was her last benumbed thought. 'When I am found dead at the foot of the Cross, it will be by some of my own sort; some of the working people who work among the lights yonder. I cannot see the lighted windows now, but they are there. I am thankful for all!'

The darkness gone, and a face bending down.

'It cannot be the boofer lady?'

'I don't understand what you say. Let me wet your lips again with this brandy. I have been away to fetch it. Did you think that I was long gone?'

It is as the face of a woman, shaded by a quantity of rich dark hair. It is the earnest face of a woman who is young and handsome. But all is over with me on earth, and this must be an Angel.

'Have I been long dead?'

'I don't understand what you say. Let me wet your lips again. I hurried all I could, and brought no one back with me, lest you should die of the shock of strangers.'

'Am I not dead?'

'I cannot understand what you say. Your voice is so low and broken that I cannot hear you. Do you hear me?'

'Yes.'

'Do you mean Yes?'

'Yes.'

'I was coming from my work just now, along the path outside (I was up with the night-hands last night), and I heard a groan, and found you lying here.'

'What work, deary?'

'Did you ask what work? At the paper-mill.'

'Where is it?'

'Your face is turned up to the sky, and you can't see it. It is close by. You can see my face, here, between you and the sky?'

'Yes.'

'Dare I lift you?'

'Not yet.'

'Not even lift your head to get it on my arm? I will do it by very gentle degrees. You shall hardly feel it.'

'Not yet. Paper. Letter.'

'This paper in your breast?'

'Bless ye!'

'Let me wet your lips again. Am I to open it? To read it?'

'Bless ye!'

She reads it with surprise, and looks down with a new expression and an added interest on the motionless face she kneels beside.

'I know these names. I have heard them often.'

'Will you send it, my dear?'

'I cannot understand you. Let me wet your lips again, and your forehead. There. O poor thing, poor thing!' These words through her fast-dropping tears. 'What was it that you asked me? Wait till I bring my ear quite close.'

'Will you send it, my dear?'

'Will I send it to the writers? Is that your wish? Yes, certainly.'

'You'll not give it up to any one but them?'

'No.'

'As you must grow old in time, and come to your dying hour, my dear, you'll not give it up to any one but them?'

'No. Most solemnly.'

'Never to the Parish!' with a convulsed struggle.

'No. Most solemnly.'

'Nor let the Parish touch me, not yet so much as look at me!' with another struggle.