At last the troublesome deceased was got into the ground, to be buried no more, and the stately stalker stalked back before the solitary dressmaker, as if she were bound in honour to have no notion of the way home. Those Furies, the conventionalities, being thus appeased, he left her.

'I must have a very short cry, godmother, before I cheer up for good,' said the little creature, coming in. 'Because after all a child is a child, you know.'

It was a longer cry than might have been expected. Howbeit, it wore itself out in a shadowy corner, and then the dressmaker came forth, and washed her face, and made the tea. 'You wouldn't mind my cutting out something while we are at tea, would you?' she asked her Jewish friend, with a coaxing air.

'Cinderella, dear child,' the old man expostulated, 'will you never rest?'

'Oh! It's not work, cutting out a pattern isn't,' said Miss Jenny, with her busy little scissors already snipping at some paper. 'The truth is, godmother, I want to fix it while I have it correct in my mind.'

'Have you seen it to-day then?' asked Riah.

'Yes, godmother. Saw it just now. It's a surplice, that's what it is. Thing our clergymen wear, you know,' explained Miss Jenny, in consideration of his professing another faith.

'And what have you to do with that, Jenny?'

'Why, godmother,' replied the dressmaker, 'you must know that we Professors who live upon our taste and invention, are obliged to keep our eyes always open. And you know already that I have many extra expenses to meet just now. So, it came into my head while I was weeping at my poor boy's grave, that something in my way might be done with a clergyman.'

'What can be done?' asked the old man.

'Not a funeral, never fear!' returned Miss Jenny, anticipating his objection with a nod. 'The public don't like to be made melancholy, I know very well. I am seldom called upon to put my young friends into mourning; not into real mourning, that is; Court mourning they are rather proud of. But a doll clergyman, my dear, --glossy black curls and whiskers--uniting two of my young friends in matrimony,' said Miss Jenny, shaking her forefinger, 'is quite another affair. If you don't see those three at the altar in Bond Street, in a jiffy, my name's Jack Robinson!'

With her expert little ways in sharp action, she had got a doll into whitey-brown paper orders, before the meal was over, and was displaying it for the edification of the Jewish mind, when a knock was heard at the street-door. Riah went to open it, and presently came back, ushering in, with the grave and courteous air that sat so well upon him, a gentleman.

The gentleman was a stranger to the dressmaker; but even in the moment of his casting his eyes upon her, there was something in his manner which brought to her remembrance Mr Eugene Wrayburn.

'Pardon me,' said the gentleman. 'You are the dolls' dressmaker?'

'I am the dolls' dressmaker, sir.'

'Lizzie Hexam's friend?'

'Yes, sir,' replied Miss Jenny, instantly on the defensive. 'And Lizzie Hexam's friend.'

'Here is a note from her, entreating you to accede to the request of Mr Mortimer Lightwood, the bearer. Mr Riah chances to know that I am Mr Mortimer Lightwood, and will tell you so.'

Riah bent his head in corroboration.

'Will you read the note?'

'It's very short,' said Jenny, with a look of wonder, when she had read it.

'There was no time to make it longer. Time was so very precious. My dear friend Mr Eugene Wrayburn is dying.'

The dressmaker clasped her hands, and uttered a little piteous cry.

'Is dying,' repeated Lightwood, with emotion, 'at some distance from here. He is sinking under injuries received at the hands of a villain who attacked him in the dark. I come straight from his bedside. He is almost always insensible. In a short restless interval of sensibility, or partial sensibility, I made out that he asked for you to be brought to sit by him. Hardly relying on my own interpretation of the indistinct sounds he made, I caused Lizzie to hear them.