Charles Dickens

But the road, the road down which the marble comes, however immense the blocks! The genius of the country, and the spirit of its institutions, pave that road: repair it, watch it, keep it going! Conceive a channel of water running over a rocky bed, beset with great heaps of stone of all shapes and sizes, winding down the middle of this valley; and THAT being the road--because it was the road five hundred years ago! Imagine the clumsy carts of five hundred years ago, being used to this hour, and drawn, as they used to be, five hundred years ago, by oxen, whose ancestors were worn to death five hundred years ago, as their unhappy descendants are now, in twelve months, by the suffering and agony of this cruel work! Two pair, four pair, ten pair, twenty pair, to one block, according to its size; down it must come, this way. In their struggling from stone to stone, with their enormous loads behind them, they die frequently upon the spot; and not they alone; for their passionate drivers, sometimes tumbling down in their energy, are crushed to death beneath the wheels. But it was good five hundred years ago, and it must be good now: and a railroad down one of these steeps (the easiest thing in the world) would be flat blasphemy.

When we stood aside, to see one of these cars drawn by only a pair of oxen (for it had but one small block of marble on it), coming down, I hailed, in my heart, the man who sat upon the heavy yoke, to keep it on the neck of the poor beasts--and who faced backwards: not before him--as the very Devil of true despotism. He had a great rod in his hand, with an iron point; and when they could plough and force their way through the loose bed of the torrent no longer, and came to a stop, he poked it into their bodies, beat it on their heads, screwed it round and round in their nostrils, got them on a yard or two, in the madness of intense pain; repeated all these persuasions, with increased intensity of purpose, when they stopped again; got them on, once more; forced and goaded them to an abrupter point of the descent; and when their writhing and smarting, and the weight behind them, bore them plunging down the precipice in a cloud of scattered water, whirled his rod above his head, and gave a great whoop and hallo, as if he had achieved something, and had no idea that they might shake him off, and blindly mash his brains upon the road, in the noontide of his triumph.

Standing in one of the many studii of Carrara, that afternoon--for it is a great workshop, full of beautifully-finished copies in marble, of almost every figure, group, and bust, we know--it seemed, at first, so strange to me that those exquisite shapes, replete with grace, and thought, and delicate repose, should grow out of all this toil, and sweat, and torture! But I soon found a parallel to it, and an explanation of it, in every virtue that springs up in miserable ground, and every good thing that has its birth in sorrow and distress. And, looking out of the sculptor's great window, upon the marble mountains, all red and glowing in the decline of day, but stern and solemn to the last, I thought, my God! how many quarries of human hearts and souls, capable of far more beautiful results, are left shut up and mouldering away: while pleasure-travellers through life, avert their faces, as they pass, and shudder at the gloom and ruggedness that conceal them!

The then reigning Duke of Modena, to whom this territory in part belonged, claimed the proud distinction of being the only sovereign in Europe who had not recognised Louis-Philippe as King of the French! He was not a wag, but quite in earnest. He was also much opposed to railroads; and if certain lines in contemplation by other potentates, on either side of him, had been executed, would have probably enjoyed the satisfaction of having an omnibus plying to and fro across his not very vast dominions, to forward travellers from one terminus to another.

Carrara, shut in by great hills, is very picturesque and bold. Few tourists stay there; and the people are nearly all connected, in one way or other, with the working of marble.