'Only one idea all over Paris! A monomania!' Humph! I THINK I have seen Napoleon's match? There was a statue, when I came away, at Hyde Park Corner, and another in the City, and a print or two in the shops.
I walk up to the Barriere de l'Etoile, sufficiently dazed by my flight to have a pleasant doubt of the reality of everything about me; of the lively crowd, the overhanging trees, the performing dogs, the hobby-horses, the beautiful perspectives of shining lamps: the hundred and one enclosures, where the singing is, in gleaming orchestras of azure and gold, and where a star-eyed Houri comes round with a box for voluntary offerings. So, I pass to my hotel, enchanted; sup, enchanted; go to bed, enchanted; pushing back this morning (if it really were this morning) into the remoteness of time, blessing the South-Eastern Company for realising the Arabian Nights in these prose days, murmuring, as I wing my idle flight into the land of dreams, 'No hurry, ladies and gentlemen, going to Paris in eleven hours. It is so well done, that there really is no hurry!'
THE DETECTIVE POLICE
WE are not by any means devout believers in the old Bow Street Police. To say the truth, we think there was a vast amount of humbug about those worthies. Apart from many of them being men of very indifferent character, and far too much in the habit of consorting with thieves and the like, they never lost a public occasion of jobbing and trading in mystery and making the most of themselves. Continually puffed besides by incompetent magistrates anxious to conceal their own deficiencies, and hand-in-glove with the penny-a-liners of that time, they became a sort of superstition. Although as a Preventive Police they were utterly ineffective, and as a Detective Police were very loose and uncertain in their operations, they remain with some people a superstition to the present day.
On the other hand, the Detective Force organised since the establishment of the existing Police, is so well chosen and trained, proceeds so systematically and quietly, does its business in such a workmanlike manner, and is always so calmly and steadily engaged in the service of the public, that the public really do not know enough of it, to know a tithe of its usefulness. Impressed with this conviction, and interested in the men themselves, we represented to the authorities at Scotland Yard, that we should be glad, if there were no official objection, to have some talk with the Detectives. A most obliging and ready permission being given, a certain evening was appointed with a certain Inspector for a social conference between ourselves and the Detectives, at The Household Words Office in Wellington Street, Strand, London. In consequence of which appointment the party 'came off,' which we are about to describe. And we beg to repeat that, avoiding such topics as it might for obvious reasons be injurious to the public, or disagreeable to respectable individuals, to touch upon in print, our description is as exact as we can make it.
The reader will have the goodness to imagine the Sanctum Sanctorum of Household Words. Anything that best suits the reader's fancy, will best represent that magnificent chamber. We merely stipulate for a round table in the middle, with some glasses and cigars arranged upon it; and the editorial sofa elegantly hemmed in between that stately piece of furniture and the wall.
It is a sultry evening at dusk. The stones of Wellington Street are hot and gritty, and the watermen and hackney-coachmen at the Theatre opposite, are much flushed and aggravated. Carriages are constantly setting down the people who have come to Fairy-Land; and there is a mighty shouting and bellowing every now and then, deafening us for the moment, through the open windows.
Just at dusk, Inspectors Wield and Stalker are announced; but we do not undertake to warrant the orthography of any of the names here mentioned. Inspector Wield presents Inspector Stalker. Inspector Wield is a middle-aged man of a portly presence, with a large, moist, knowing eye, a husky voice, and a habit of emphasising his conversation by the aid of a corpulent fore-finger, which is constantly in juxtaposition with his eyes or nose.