Charles Dickens

It may seem incredible, but it is true. Let us hope that the increased spirit of civilisation and humanity which abolished this frightful and degrading custom, may extend itself to other usages equally barbarous; usages which have not even the plea of utility in their defence, as every year's experience has shown them to be more and more inefficacious.

Leaving the chapel, descending to the passage so frequently alluded to, and crossing the yard before noticed as being allotted to prisoners of a more respectable description than the generality of men confined here, the visitor arrives at a thick iron gate of great size and strength. Having been admitted through it by the turnkey on duty, he turns sharp round to the left, and pauses before another gate; and, having passed this last barrier, he stands in the most terrible part of this gloomy building--the condemned ward.

The press-yard, well known by name to newspaper readers, from its frequent mention in accounts of executions, is at the corner of the building, and next to the ordinary's house, in Newgate-street: running from Newgate-street, towards the centre of the prison, parallel with Newgate-market. It is a long, narrow court, of which a portion of the wall in Newgate-street forms one end, and the gate the other. At the upper end, on the left hand--that is, adjoining the wall in Newgate-street--is a cistern of water, and at the bottom a double grating (of which the gate itself forms a part) similar to that before described. Through these grates the prisoners are allowed to see their friends; a turnkey always remaining in the vacant space between, during the whole interview. Immediately on the right as you enter, is a building containing the press-room, day-room, and cells; the yard is on every side surrounded by lofty walls guarded by chevaux de frise; and the whole is under the constant inspection of vigilant and experienced turnkeys.

In the first apartment into which we were conducted--which was at the top of a staircase, and immediately over the press-room--were five-and-twenty or thirty prisoners, all under sentence of death, awaiting the result of the recorder's report--men of all ages and appearances, from a hardened old offender with swarthy face and grizzly beard of three days' growth, to a handsome boy, not fourteen years old, and of singularly youthful appearance even for that age, who had been condemned for burglary. There was nothing remarkable in the appearance of these prisoners. One or two decently-dressed men were brooding with a dejected air over the fire; several little groups of two or three had been engaged in conversation at the upper end of the room, or in the windows; and the remainder were crowded round a young man seated at a table, who appeared to be engaged in teaching the younger ones to write. The room was large, airy, and clean. There was very little anxiety or mental suffering depicted in the countenance of any of the men;-- they had all been sentenced to death, it is true, and the recorder's report had not yet been made; but, we question whether there was a man among them, notwithstanding, who did not KNOW that although he had undergone the ceremony, it never was intended that his life should be sacrificed. On the table lay a Testament, but there were no tokens of its having been in recent use.

In the press-room below, were three men, the nature of whose offence rendered it necessary to separate them, even from their companions in guilt. It is a long, sombre room, with two windows sunk into the stone wall, and here the wretched men are pinioned on the morning of their execution, before moving towards the scaffold. The fate of one of these prisoners was uncertain; some mitigatory circumstances having come to light since his trial, which had been humanely represented in the proper quarter. The other two had nothing to expect from the mercy of the crown; their doom was sealed; no plea could be urged in extenuation of their crime, and they well knew that for them there was no hope in this world.