Charles Dickens

THE OUT-AND-OUT YOUNG GENTLEMAN

Out-and-out young gentlemen may be divided into two classes--those who have something to do, and those who have nothing. I shall commence with the former, because that species come more frequently under the notice of young ladies, whom it is our province to warn and to instruct.

The out-and-out young gentleman is usually no great dresser, his instructions to his tailor being all comprehended in the one general direction to 'make that what's-a-name a regular bang-up sort of thing.' For some years past, the favourite costume of the out-and-out young gentleman has been a rough pilot coat, with two gilt hooks and eyes to the velvet collar; buttons somewhat larger than crown-pieces; a black or fancy neckerchief, loosely tied; a wide-brimmed hat, with a low crown; tightish inexpressibles, and iron-shod boots. Out of doors he sometimes carries a large ash stick, but only on special occasions, for he prefers keeping his hands in his coat pockets. He smokes at all hours, of course, and swears considerably.

The out-and-out young gentleman is employed in a city counting- house or solicitor's office, in which he does as little as he possibly can: his chief places of resort are, the streets, the taverns, and the theatres. In the streets at evening time, out- and-out young gentlemen have a pleasant custom of walking six or eight abreast, thus driving females and other inoffensive persons into the road, which never fails to afford them the highest satisfaction, especially if there be any immediate danger of their being run over, which enhances the fun of the thing materially. In all places of public resort, the out-and-outers are careful to select each a seat to himself, upon which he lies at full length, and (if the weather be very dirty, but not in any other case) he lies with his knees up, and the soles of his boots planted firmly on the cushion, so that if any low fellow should ask him to make room for a lady, he takes ample revenge upon her dress, without going at all out of his way to do it. He always sits with his hat on, and flourishes his stick in the air while the play is proceeding, with a dignified contempt of the performance; if it be possible for one or two out-and-out young gentlemen to get up a little crowding in the passages, they are quite in their element, squeezing, pushing, whooping, and shouting in the most humorous manner possible. If they can only succeed in irritating the gentleman who has a family of daughters under his charge, they are like to die with laughing, and boast of it among their companions for a week afterwards, adding, that one or two of them were 'devilish fine girls,' and that they really thought the youngest would have fainted, which was the only thing wanted to render the joke complete.

If the out-and-out young gentleman have a mother and sisters, of course he treats them with becoming contempt, inasmuch as they (poor things!) having no notion of life or gaiety, are far too weak-spirited and moping for him. Sometimes, however, on a birth- day or at Christmas-time, he cannot very well help accompanying them to a party at some old friend's, with which view he comes home when they have been dressed an hour or two, smelling very strongly of tobacco and spirits, and after exchanging his rough coat for some more suitable attire (in which however he loses nothing of the out-and-outer), gets into the coach and grumbles all the way at his own good nature: his bitter reflections aggravated by the recollection, that Tom Smith has taken the chair at a little impromptu dinner at a fighting man's, and that a set-to was to take place on a dining-table, between the fighting man and his brother- in-law, which is probably 'coming off' at that very instant.

As the out-and-out young gentleman is by no means at his ease in ladies' society, he shrinks into a corner of the drawing-room when they reach the friend's, and unless one of his sisters is kind enough to talk to him, remains there without being much troubled by the attentions of other people, until he espies, lingering outside the door, another gentleman, whom he at once knows, by his air and manner (for there is a kind of free-masonry in the craft), to be a brother out-and-outer, and towards whom he accordingly makes his way.