We have had complimentary letters about this girl, sir, from the nobility and gentry of almost every town in England.'

'I am not surprised at that,' said Nicholas; 'she must be quite a natural genius.'

'Quite a--!' Mr Crummles stopped: language was not powerful enough to describe the infant phenomenon. 'I'll tell you what, sir,' he said; 'the talent of this child is not to be imagined. She must be seen, sir--seen--to be ever so faintly appreciated. There; go to your mother, my dear.'

'May I ask how old she is?' inquired Nicholas.

'You may, sir,' replied Mr Crummles, looking steadily in his questioner's face, as some men do when they have doubts about being implicitly believed in what they are going to say. 'She is ten years of age, sir.'

'Not more!'

'Not a day.'

'Dear me!' said Nicholas, 'it's extraordinary.'

It was; for the infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age--not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years. But she had been kept up late every night, and put upon an unlimited allowance of gin-and-water from infancy, to prevent her growing tall, and perhaps this system of training had produced in the infant phenomenon these additional phenomena.

While this short dialogue was going on, the gentleman who had enacted the savage, came up, with his walking shoes on his feet, and his slippers in his hand, to within a few paces, as if desirous to join in the conversation. Deeming this a good opportunity, he put in his word.

'Talent there, sir!' said the savage, nodding towards Miss Crummles.

Nicholas assented.

'Ah!' said the actor, setting his teeth together, and drawing in his breath with a hissing sound, 'she oughtn't to be in the provinces, she oughtn't.'

'What do you mean?' asked the manager.

'I mean to say,' replied the other, warmly, 'that she is too good for country boards, and that she ought to be in one of the large houses in London, or nowhere; and I tell you more, without mincing the matter, that if it wasn't for envy and jealousy in some quarter that you know of, she would be. Perhaps you'll introduce me here, Mr Crummles.'

'Mr Folair,' said the manager, presenting him to Nicholas.

'Happy to know you, sir.' Mr Folair touched the brim of his hat with his forefinger, and then shook hands. 'A recruit, sir, I understand?'

'An unworthy one,' replied Nicholas.

'Did you ever see such a set-out as that?' whispered the actor, drawing him away, as Crummles left them to speak to his wife.

'As what?'

Mr Folair made a funny face from his pantomime collection, and pointed over his shoulder.

'You don't mean the infant phenomenon?'

'Infant humbug, sir,' replied Mr Folair. 'There isn't a female child of common sharpness in a charity school, that couldn't do better than that. She may thank her stars she was born a manager's daughter.'

'You seem to take it to heart,' observed Nicholas, with a smile.

'Yes, by Jove, and well I may,' said Mr Folair, drawing his arm through his, and walking him up and down the stage. 'Isn't it enough to make a man crusty to see that little sprawler put up in the best business every night, and actually keeping money out of the house, by being forced down the people's throats, while other people are passed over? Isn't it extraordinary to see a man's confounded family conceit blinding him, even to his own interest? Why I KNOW of fifteen and sixpence that came to Southampton one night last month, to see me dance the Highland Fling; and what's the consequence? I've never been put up in it since--never once--while the "infant phenomenon" has been grinning through artificial flowers at five people and a baby in the pit, and two boys in the gallery, every night.'

'If I may judge from what I have seen of you,' said Nicholas, 'you must be a valuable member of the company.'

'Oh!' replied Mr Folair, beating his slippers together, to knock the dust out; 'I CAN come it pretty well--nobody better, perhaps, in my own line--but having such business as one gets here, is like putting lead on one's feet instead of chalk, and dancing in fetters without the credit of it.