Discontinued. I was told by your guardian that you discontinued it under the shock that we have all felt so acutely. When will you resume?'
'Never? You could have done no more if you had loved my dear boy.'
'I did love him!' cried Rosa, with a flash of anger.
'Yes; but not quite--not quite in the right way, shall I say? Not in the intended and expected way. Much as my dear boy was, unhappily, too self-conscious and self-satisfied (I'll draw no parallel between him and you in that respect) to love as he should have loved, or as any one in his place would have loved--must have loved!'
She sits in the same still attitude, but shrinking a little more.
'Then, to be told that you discontinued your study with me, was to be politely told that you abandoned it altogether?' he suggested.
'Yes,' says Rosa, with sudden spirit, 'The politeness was my guardian's, not mine. I told him that I was resolved to leave off, and that I was determined to stand by my resolution.'
'And you still are?'
'I still am, sir. And I beg not to be questioned any more about it. At all events, I will not answer any more; I have that in my power.'
She is so conscious of his looking at her with a gloating admiration of the touch of anger on her, and the fire and animation it brings with it, that even as her spirit rises, it falls again, and she struggles with a sense of shame, affront, and fear, much as she did that night at the piano.
'I will not question you any more, since you object to it so much; I will confess--'
'I do not wish to hear you, sir,' cries Rosa, rising.
This time he does touch her with his outstretched hand. In shrinking from it, she shrinks into her seat again.
'We must sometimes act in opposition to our wishes,' he tells her in a low voice. 'You must do so now, or do more harm to others than you can ever set right.'
'Presently, presently. You question ME, you see, and surely that's not fair when you forbid me to question you. Nevertheless, I will answer the question presently. Dearest Rosa! Charming Rosa!'
She starts up again.
This time he does not touch her. But his face looks so wicked and menacing, as he stands leaning against the sun-dial-setting, as it were, his black mark upon the very face of day--that her flight is arrested by horror as she looks at him.
'I do not forget how many windows command a view of us,' he says, glancing towards them. 'I will not touch you again; I will come no nearer to you than I am. Sit down, and there will be no mighty wonder in your music-master's leaning idly against a pedestal and speaking with you, remembering all that has happened, and our shares in it. Sit down, my beloved.'
She would have gone once more--was all but gone--and once more his face, darkly threatening what would follow if she went, has stopped her. Looking at him with the expression of the instant frozen on her face, she sits down on the seat again.
'Rosa, even when my dear boy was affianced to you, I loved you madly; even when I thought his happiness in having you for his wife was certain, I loved you madly; even when I strove to make him more ardently devoted to you, I loved you madly; even when he gave me the picture of your lovely face so carelessly traduced by him, which I feigned to hang always in my sight for his sake, but worshipped in torment for years, I loved you madly; in the distasteful work of the day, in the wakeful misery of the night, girded by sordid realities, or wandering through Paradises and Hells of visions into which I rushed, carrying your image in my arms, I loved you madly.'
If anything could make his words more hideous to her than they are in themselves, it would be the contrast between the violence of his look and delivery, and the composure of his assumed attitude.
'I endured it all in silence. So long as you were his, or so long as I supposed you to be his, I hid my secret loyally. Did I not?'
This lie, so gross, while the mere words in which it is told are so true, is more than Rosa can endure.