Charles Dickens

But let the flying waiter cleave the air as he might, he was always reproached on his return by the immovable waiter for bringing fog with him, and being out of breath. At the conclusion of the repast, by which time the flying waiter was severely blown, the immovable waiter gathered up the tablecloth under his arm with a grand air, and having sternly (not to say with indignation) looked on at the flying waiter while he set the clean glasses round, directed a valedictory glance towards Mr. Grewgious, conveying: 'Let it be clearly understood between us that the reward is mine, and that Nil is the claim of this slave,' and pushed the flying waiter before him out of the room.

It was like a highly-finished miniature painting representing My Lords of the Circumlocution Department, Commandership-in-Chief of any sort, Government. It was quite an edifying little picture to be hung on the line in the National Gallery.

As the fog had been the proximate cause of this sumptuous repast, so the fog served for its general sauce. To hear the out-door clerks sneezing, wheezing, and beating their feet on the gravel was a zest far surpassing Doctor Kitchener's. To bid, with a shiver, the unfortunate flying waiter shut the door before he had opened it, was a condiment of a profounder flavour than Harvey. And here let it be noticed, parenthetically, that the leg of this young man, in its application to the door, evinced the finest sense of touch: always preceding himself and tray (with something of an angling air about it), by some seconds: and always lingering after he and the tray had disappeared, like Macbeth's leg when accompanying him off the stage with reluctance to the assassination of Duncan.

The host had gone below to the cellar, and had brought up bottles of ruby, straw-coloured, and golden drinks, which had ripened long ago in lands where no fogs are, and had since lain slumbering in the shade. Sparkling and tingling after so long a nap, they pushed at their corks to help the corkscrew (like prisoners helping rioters to force their gates), and danced out gaily. If P. J. T. in seventeen-forty-seven, or in any other year of his period, drank such wines--then, for a certainty, P. J. T. was Pretty Jolly Too.

Externally, Mr. Grewgious showed no signs of being mellowed by these glowing vintages. Instead of his drinking them, they might have been poured over him in his high-dried snuff form, and run to waste, for any lights and shades they caused to flicker over his face. Neither was his manner influenced. But, in his wooden way, he had observant eyes for Edwin; and when at the end of dinner, he motioned Edwin back to his own easy-chair in the fireside corner, and Edwin sank luxuriously into it after very brief remonstrance, Mr. Grewgious, as he turned his seat round towards the fire too, and smoothed his head and face, might have been seen looking at his visitor between his smoothing fingers.

'Bazzard!' said Mr. Grewgious, suddenly turning to him.

'I follow you, sir,' returned Bazzard; who had done his work of consuming meat and drink in a workmanlike manner, though mostly in speechlessness.

'I drink to you, Bazzard; Mr. Edwin, success to Mr. Bazzard!'

'Success to Mr. Bazzard!' echoed Edwin, with a totally unfounded appearance of enthusiasm, and with the unspoken addition: 'What in, I wonder!'

'And May!' pursued Mr. Grewgious--'I am not at liberty to be definite--May!--my conversational powers are so very limited that I know I shall not come well out of this--May!--it ought to be put imaginatively, but I have no imagination--May!--the thorn of anxiety is as nearly the mark as I am likely to get--May it come out at last!'

Mr. Bazzard, with a frowning smile at the fire, put a hand into his tangled locks, as if the thorn of anxiety were there; then into his waistcoat, as if it were there; then into his pockets, as if it were there. In all these movements he was closely followed by the eyes of Edwin, as if that young gentleman expected to see the thorn in action.