Charles Dickens

I have thrown these few notes together, because the subject of them was well known to me for many years. I traced his progress downwards, step by step, until at last he reached that excess of destitution from which he never rose again.

'The man of whom I speak was a low pantomime actor; and, like many people of his class, an habitual drunkard. in his better days, before he had become enfeebled by dissipation and emaciated by disease, he had been in the receipt of a good salary, which, if he had been careful and prudent, he might have continued to receive for some years--not many; because these men either die early, or by unnaturally taxing their bodily energies, lose, prematurely, those physical powers on which alone they can depend for subsistence. His besetting sin gained so fast upon him, however, that it was found impossible to employ him in the situations in which he really was useful to the theatre. The public-house had a fascination for him which he could not resist. Neglected disease and hopeless poverty were as certain to be his portion as death itself, if he persevered in the same course; yet he did persevere, and the result may be guessed. He could obtain no engagement, and he wanted bread. 'Everybody who is at all acquainted with theatrical matters knows what a host of shabby, poverty-stricken men hang about the stage of a large establishment--not regularly engaged actors, but ballet people, procession men, tumblers, and so forth, who are taken on during the run of a pantomime, or an Easter piece, and are then discharged, until the production of some heavy spectacle occasions a new demand for their services. To this mode of life the man was compelled to resort; and taking the chair every night, at some low theatrical house, at once put him in possession of a few more shillings weekly, and enabled him to gratify his old propensity. Even this resource shortly failed him; his irregularities were too great to admit of his earning the wretched pittance he might thus have procured, and he was actually reduced to a state bordering on starvation, only procuring a trifle occasionally by borrowing it of some old companion, or by obtaining an appearance at one or other of the commonest of the minor theatres; and when he did earn anything it was spent in the old way.

'About this time, and when he had been existing for upwards of a year no one knew how, I had a short engagement at one of the theatres on the Surrey side of the water, and here I saw this man, whom I had lost sight of for some time; for I had been travelling in the provinces, and he had been skulking in the lanes and alleys of London. I was dressed to leave the house, and was crossing the stage on my way out, when he tapped me on the shoulder. Never shall I forget the repulsive sight that met my eye when I turned round. He was dressed for the pantomimes in all the absurdity of a clown's costume. The spectral figures in the Dance of Death, the most frightful shapes that the ablest painter ever portrayed on canvas, never presented an appearance half so ghastly. His bloated body and shrunken legs--their deformity enhanced a hundredfold by the fantastic dress--the glassy eyes, contrasting fearfully with the thick white paint with which the face was besmeared; the grotesquely-ornamented head, trembling with paralysis, and the long skinny hands, rubbed with white chalk--all gave him a hideous and unnatural appearance, of which no description could convey an adequate idea, and which, to this day, I shudder to think of. His voice was hollow and tremulous as he took me aside, and in broken words recounted a long catalogue of sickness and privations, terminating as usual with an urgent request for the loan of a trifling sum of money. I put a few shillings in his hand, and as I turned away I heard the roar of laughter which followed his first tumble on the stage. 'A few nights afterwards, a boy put a dirty scrap of paper in my hand, on which were scrawled a few words in pencil, intimating that the man was dangerously ill, and begging me, after the performance, to see him at his lodgings in some street--I forget the name of it now--at no great distance from the theatre. I promised to comply, as soon as I could get away; and after the curtain fell, sallied forth on my melancholy errand.