Charles Dickens

Caged larks, thrushes, or blackbirds, hanging in neighbouring courts, pour forth their strains passionately, as scenting the tree, trying to break out, and see leaves again before they die, but their song is Willow, Willow--of a churchyard cast. So little light lives inside the churches of my churchyards, when the two are co-existent, that it is often only by an accident and after long acquaintance that I discover their having stained glass in some odd window. The westering sun slants into the churchyard by some unwonted entry, a few prismatic tears drop on an old tombstone, and a window that I thought was only dirty, is for the moment all bejewelled. Then the light passes and the colours die. Though even then, if there be room enough for me to fall back so far as that I can gaze up to the top of the Church Tower, I see the rusty vane new burnished, and seeming to look out with a joyful flash over the sea of smoke at the distant shore of country.

Blinking old men who are let out of workhouses by the hour, have a tendency to sit on bits of coping stone in these churchyards, leaning with both hands on their sticks and asthmatically gasping. The more depressed class of beggars too, bring hither broken meats, and munch. I am on nodding terms with a meditative turncock who lingers in one of them, and whom I suspect of a turn for poetry; the rather, as he looks out of temper when he gives the fire-plug a disparaging wrench with that large tuning-fork of his which would wear out the shoulder of his coat, but for a precautionary piece of inlaid leather. Fire-ladders, which I am satisfied nobody knows anything about, and the keys of which were lost in ancient times, moulder away in the larger churchyards, under eaves like wooden eyebrows; and so removed are those corners from the haunts of men and boys, that once on a fifth of November I found a 'Guy' trusted to take care of himself there, while his proprietors had gone to dinner. Of the expression of his face I cannot report, because it was turned to the wall; but his shrugged shoulders and his ten extended fingers, appeared to denote that he had moralised in his little straw chair on the mystery of mortality until he gave it up as a bad job.

You do not come upon these churchyards violently; there are shapes of transition in the neighbourhood. An antiquated news shop, or barber's shop, apparently bereft of customers in the earlier days of George the Third, would warn me to look out for one, if any discoveries in this respect were left for me to make. A very quiet court, in combination with an unaccountable dyer's and scourer's, would prepare me for a churchyard. An exceedingly retiring public- house, with a bagatelle-board shadily visible in a sawdusty parlour shaped like an omnibus, and with a shelf of punch-bowls in the bar, would apprise me that I stood near consecrated ground. A 'Dairy,' exhibiting in its modest window one very little milk-can and three eggs, would suggest to me the certainty of finding the poultry hard by, pecking at my forefathers. I first inferred the vicinity of Saint Ghastly Grim, from a certain air of extra repose and gloom pervading a vast stack of warehouses.

From the hush of these places, it is congenial to pass into the hushed resorts of business. Down the lanes I like to see the carts and waggons huddled together in repose, the cranes idle, and the warehouses shut. Pausing in the alleys behind the closed Banks of mighty Lombard-street, it gives one as good as a rich feeling to think of the broad counters with a rim along the edge, made for telling money out on, the scales for weighing precious metals, the ponderous ledgers, and, above all, the bright copper shovels for shovelling gold. When I draw money, it never seems so much money as when it is shovelled at me out of a bright copper shovel. I like to say, 'In gold,' and to see seven pounds musically pouring out of the shovel, like seventy; the Bank appearing to remark to me--I italicise APPEARING--'if you want more of this yellow earth, we keep it in barrows at your service.' To think of the banker's clerk with his deft finger turning the crisp edges of the Hundred- Pound Notes he has taken in a fat roll out of a drawer, is again to hear the rustling of that delicious south-cash wind.