(As to the Magistracy, with a few exceptions, they know nothing about it but what the Police choose to tell them.) There are disorderly classes of men who are not thieves; as railway-navigators, brickmakers, wood-sawyers, costermongers. These classes are often disorderly and troublesome; but it is mostly among themselves, and at any rate they have their industrious avocations, they work early and late, and work hard. The generic Ruffian--honourable member for what is tenderly called the Rough Element--is either a Thief, or the companion of Thieves. When he infamously molests women coming out of chapel on Sunday evenings (for which I would have his back scarified often and deep) it is not only for the gratification of his pleasant instincts, but that there may be a confusion raised by which either he or his friends may profit, in the commission of highway robberies or in picking pockets. When he gets a police- constable down and kicks him helpless for life, it is because that constable once did his duty in bringing him to justice. When he rushes into the bar of a public-house and scoops an eye out of one of the company there, or bites his ear off, it is because the man he maims gave evidence against him. When he and a line of comrades extending across the footway--say of that solitary mountain-spur of the Abruzzi, the Waterloo Road--advance towards me 'skylarking' among themselves, my purse or shirt-pin is in predestined peril from his playfulness. Always a Ruffian, always a Thief. Always a Thief, always a Ruffian.

Now, when I, who am not paid to know these things, know them daily on the evidence of my senses and experience; when I know that the Ruffian never jostles a lady in the streets, or knocks a hat off, but in order that the Thief may profit, is it surprising that I should require from those who ARE paid to know these things, prevention of them?

Look at this group at a street corner. Number one is a shirking fellow of five-and-twenty, in an ill-favoured and ill-savoured suit, his trousers of corduroy, his coat of some indiscernible groundwork for the deposition of grease, his neckerchief like an eel, his complexion like dirty dough, his mangy fur cap pulled low upon his beetle brows to hide the prison cut of his hair. His hands are in his pockets. He puts them there when they are idle, as naturally as in other people's pockets when they are busy, for he knows that they are not roughened by work, and that they tell a tale. Hence, whenever he takes one out to draw a sleeve across his nose--which is often, for he has weak eyes and a constitutional cold in his head--he restores it to its pocket immediately afterwards. Number two is a burly brute of five-and-thirty, in a tall stiff hat; is a composite as to his clothes of betting-man and fighting-man; is whiskered; has a staring pin in his breast, along with his right hand; has insolent and cruel eyes: large shoulders; strong legs booted and tipped for kicking. Number three is forty years of age; is short, thick-set, strong, and bow-legged; wears knee cords and white stockings, a very long-sleeved waistcoat, a very large neckerchief doubled or trebled round his throat, and a crumpled white hat crowns his ghastly parchment face. This fellow looks like an executed postboy of other days, cut down from the gallows too soon, and restored and preserved by express diabolical agency. Numbers five, six, and seven, are hulking, idle, slouching young men, patched and shabby, too short in the sleeves and too tight in the legs, slimily clothed, foul-spoken, repulsive wretches inside and out. In all the party there obtains a certain twitching character of mouth and furtiveness of eye, that hint how the coward is lurking under the bully. The hint is quite correct, for they are a slinking sneaking set, far more prone to lie down on their backs and kick out, when in difficulty, than to make a stand for it. (This may account for the street mud on the backs of Numbers five, six, and seven, being much fresher than the stale splashes on their legs.)

These engaging gentry a Police-constable stands contemplating.