Charles Dickens

All the nine rolled their eyes exceedingly, and had very red lips. At the extremities of the curve they formed, seated in their chairs, were the performers on the tambourine and bones. The centre Momus, a black of melancholy aspect (who inspired me with a vague uneasiness for which I could not then account), performed on a Mississippi instrument closely resembling what was once called in this island a hurdy-gurdy. The Momuses on either side of him had each another instrument peculiar to the Father of Waters, which may be likened to a stringed weather-glass held upside down. There were likewise a little flute and a violin. All went well for awhile, and we had had several sparkling repartees exchanged between the performers on the tambourine and bones, when the black of melancholy aspect, turning to the latter, and addressing him in a deep and improving voice as 'Bones, sir,' delivered certain grave remarks to him concerning the juveniles present, and the season of the year; whereon I perceived that I was in the presence of Mr. Barlow-- corked!

Another night--and this was in London--I attended the representation of a little comedy. As the characters were lifelike (and consequently not improving), and as they went upon their several ways and designs without personally addressing themselves to me, I felt rather confident of coming through it without being regarded as Tommy, the more so, as we were clearly getting close to the end. But I deceived myself. All of a sudden, Apropos of nothing, everybody concerned came to a check and halt, advanced to the foot-lights in a general rally to take dead aim at me, and brought me down with a moral homily, in which I detected the dread hand of Barlow.

Nay, so intricate and subtle are the toils of this hunter, that on the very next night after that, I was again entrapped, where no vestige of a spring could have been apprehended by the timidest. It was a burlesque that I saw performed; an uncompromising burlesque, where everybody concerned, but especially the ladies, carried on at a very considerable rate indeed. Most prominent and active among the corps of performers was what I took to be (and she really gave me very fair opportunities of coming to a right conclusion) a young lady of a pretty figure. She was dressed as a picturesque young gentleman, whose pantaloons had been cut off in their infancy; and she had very neat knees and very neat satin boots. Immediately after singing a slang song and dancing a slang dance, this engaging figure approached the fatal lamps, and, bending over them, delivered in a thrilling voice a random eulogium on, and exhortation to pursue, the virtues. 'Great Heaven!' was my exclamation; 'Barlow!'

There is still another aspect in which Mr. Barlow perpetually insists on my sustaining the character of Tommy, which is more unendurable yet, on account of its extreme aggressiveness. For the purposes of a review or newspaper, he will get up an abstruse subject with definite pains, will Barlow, utterly regardless of the price of midnight oil, and indeed of everything else, save cramming himself to the eyes.

But mark. When Mr. Barlow blows his information off, he is not contented with having rammed it home, and discharged it upon me, Tommy, his target, but he pretends that he was always in possession of it, and made nothing of it,--that he imbibed it with mother's milk,--and that I, the wretched Tommy, am most abjectly behindhand in not having done the same. I ask, why is Tommy to be always the foil of Mr. Barlow to this extent? What Mr. Barlow had not the slightest notion of himself, a week ago, it surely cannot be any very heavy backsliding in me not to have at my fingers' ends to- day! And yet Mr. Barlow systematically carries it over me with a high hand, and will tauntingly ask me, in his articles, whether it is possible that I am not aware that every school-boy knows that the fourteenth turning on the left in the steppes of Russia will conduct to such and such a wandering tribe? with other disparaging questions of like nature.