Charles Dickens

The vocalisation was taking place in a long low room up-stairs; at one end, an orchestra of two performers, and a small platform; across the room, a series of open pews for Jack, with an aisle down the middle; at the other end a larger pew than the rest, entitled SNUG, and reserved for mates and similar good company. About the room, some amazing coffee-coloured pictures varnished an inch deep, and some stuffed creatures in cases; dotted among the audience, in Sung and out of Snug, the 'Professionals;' among them, the celebrated comic favourite Mr. Banjo Bones, looking very hideous with his blackened face and limp sugar-loaf hat; beside him, sipping rum-and-water, Mrs. Banjo Bones, in her natural colours--a little heightened.

It was a Friday night, and Friday night was considered not a good night for Jack. At any rate, Jack did not show in very great force even here, though the house was one to which he much resorts, and where a good deal of money is taken. There was British Jack, a little maudlin and sleepy, lolling over his empty glass, as if he were trying to read his fortune at the bottom; there was Loafing Jack of the Stars and Stripes, rather an unpromising customer, with his long nose, lank cheek, high cheek-bones, and nothing soft about him but his cabbage-leaf hat; there was Spanish Jack, with curls of black hair, rings in his ears, and a knife not far from his hand, if you got into trouble with him; there were Maltese Jack, and Jack of Sweden, and Jack the Finn, looming through the smoke of their pipes, and turning faces that looked as if they were carved out of dark wood, towards the young lady dancing the hornpipe: who found the platform so exceedingly small for it, that I had a nervous expectation of seeing her, in the backward steps, disappear through the window. Still, if all hands had been got together, they would not have more than half-filled the room. Observe, however, said Mr. Licensed Victualler, the host, that it was Friday night, and, besides, it was getting on for twelve, and Jack had gone aboard. A sharp and watchful man, Mr. Licensed Victualler, the host, with tight lips and a complete edition of Cocker's arithmetic in each eye. Attended to his business himself, he said. Always on the spot. When he heard of talent, trusted nobody's account of it, but went off by rail to see it. If true talent, engaged it. Pounds a week for talent--four pound--five pound. Banjo Bones was undoubted talent. Hear this instrument that was going to play--it was real talent! In truth it was very good; a kind of piano-accordion, played by a young girl of a delicate prettiness of face, figure, and dress, that made the audience look coarser. She sang to the instrument, too; first, a song about village bells, and how they chimed; then a song about how I went to sea; winding up with an imitation of the bagpipes, which Mercantile Jack seemed to understand much the best. A good girl, said Mr. Licensed Victualler. Kept herself select. Sat in Snug, not listening to the blandishments of Mates. Lived with mother. Father dead. Once a merchant well to do, but over-speculated himself. On delicate inquiry as to salary paid for item of talent under consideration, Mr. Victualler's pounds dropped suddenly to shillings--still it was a very comfortable thing for a young person like that, you know; she only went on six times a night, and was only required to be there from six at night to twelve. What was more conclusive was, Mr. Victualler's assurance that he 'never allowed any language, and never suffered any disturbance.' Sharpeye confirmed the statement, and the order that prevailed was the best proof of it that could have been cited. So, I came to the conclusion that poor Mercantile Jack might do (as I am afraid he does) much worse than trust himself to Mr. Victualler, and pass his evenings here.

But we had not yet looked, Mr. Superintendent--said Trampfoot, receiving us in the street again with military salute--for Dark Jack. True, Trampfoot.