Charles Dickens

We stamp our feet to warm them, and dead citizens arise in heavy clouds. Dead citizens stick upon the walls, and lie pulverised on the sounding-board over the clergyman's head, and, when a gust of air comes, tumble down upon him.

In this first experience I was so nauseated by too much snuff, made of the Dowgate family, the Comport branch, and other families and branches, that I gave but little heed to our dull manner of ambling through the service; to the brisk clerk's manner of encouraging us to try a note or two at psalm time; to the gallery-congregation's manner of enjoying a shrill duet, without a notion of time or tune; to the whity-brown man's manner of shutting the minister into the pulpit, and being very particular with the lock of the door, as if he were a dangerous animal. But, I tried again next Sunday, and soon accustomed myself to the dead citizens when I found that I could not possibly get on without them among the City churches.

Another Sunday.

After being again rung for by conflicting bells, like a leg of mutton or a laced hat a hundred years ago, I make selection of a church oddly put away in a corner among a number of lanes--a smaller church than the last, and an ugly: of about the date of Queen Anne. As a congregation, we are fourteen strong: not counting an exhausted charity school in a gallery, which has dwindled away to four boys, and two girls. In the porch, is a benefaction of loaves of bread, which there would seem to be nobody left in the exhausted congregation to claim, and which I saw an exhausted beadle, long faded out of uniform, eating with his eyes for self and family when I passed in. There is also an exhausted clerk in a brown wig, and two or three exhausted doors and windows have been bricked up, and the service books are musty, and the pulpit cushions are threadbare, and the whole of the church furniture is in a very advanced stage of exhaustion. We are three old women (habitual), two young lovers (accidental), two tradesmen, one with a wife and one alone, an aunt and nephew, again two girls (these two girls dressed out for church with everything about them limp that should be stiff, and vice versa, are an invariable experience), and three sniggering boys. The clergyman is, perhaps, the chaplain of a civic company; he has the moist and vinous look, and eke the bulbous boots, of one acquainted with 'Twenty port, and comet vintages.

We are so quiet in our dulness that the three sniggering boys, who have got away into a corner by the altar-railing, give us a start, like crackers, whenever they laugh. And this reminds me of my own village church where, during sermon-time on bright Sundays when the birds are very musical indeed, farmers' boys patter out over the stone pavement, and the clerk steps out from his desk after them, and is distinctly heard in the summer repose to pursue and punch them in the churchyard, and is seen to return with a meditative countenance, making believe that nothing of the sort has happened. The aunt and nephew in this City church are much disturbed by the sniggering boys. The nephew is himself a boy, and the sniggerers tempt him to secular thoughts of marbles and string, by secretly offering such commodities to his distant contemplation. This young Saint Anthony for a while resists, but presently becomes a backslider, and in dumb show defies the sniggerers to 'heave' a marble or two in his direction. Here in he is detected by the aunt (a rigorous reduced gentlewoman who has the charge of offices), and I perceive that worthy relative to poke him in the side, with the corrugated hooked handle of an ancient umbrella. The nephew revenges himself for this, by holding his breath and terrifying his kinswoman with the dread belief that he has made up his mind to burst. Regardless of whispers and shakes, he swells and becomes discoloured, and yet again swells and becomes discoloured, until the aunt can bear it no longer, but leads him out, with no visible neck, and with his eyes going before him like a prawn's.